2 Chronicles 4:16

The brazen altar, 2Chr 4:1 . Molten sea, and its supporters, 2Chr 4:2-5 . The ten lavers, 2Chr 4:6 . Ten golden candlesticks, 2Chr 4:7 . Ten tables, the hundred golden basons, and the priests' court, 2Chr 4:8-10 . The works which Huram performed, 2Chr 4:11-17 . Solomon finishes the temple, and its utensils, 2Chr 4:18-22 . Verse 3 Under it was the similitude of oxen - In 1Kgs 7:24 , instead of oxen, בקרים bekarim, we have knops, פקעים pekaim; and this last is supposed by able critics to be the reading which ought to be received here. What we call knops may signify grapes, mushrooms, apples, or some such ornaments placed round about under the turned over lip or brim of this caldron. It is possible that בקרים bekarim, oxen, may be a corruption of פקעים pekaim, grapes, as the פ pe might be mistaken for a ב beth, to which in ancient MSS. it has often a great resemblance, the dot under the top being often faint and indistinct; and the ע ain, on the same account might be mistaken for a ר resh. Thus grapes might be turned into oxen. Houbigant contends that the words in both places are right; but that בקר bakar does not signify ox here, but al large kind of grape, according to its meaning in Arabic: and thus both places will agree. But I do not find that bakar, or bakarat, has any such meaning in Arabic. He was probably misled by the following, in the Arabic Lexicon, Camus, inserted under bakara, both by Giggeius and Golius, aino albikri, ox-eye, which is interpreted Genus uvae nigrae ac praeprandis, incredibilis dulcedinis. In Palaestina autem pro prunis absolute usurpatur. "A species of black grape, very large, and of incredible sweetness. It is used in Palestine for prune or plum." What is called the Damascene plum is doubtless meant; but בקרים bekarim, in the text, can never have this meaning, unless indeed we found it associated with עין ayin, eye, and then עיני בקרים eyney bekarim might, according to the Arabic, be translated plums, grapes, sloes, or such like, especially those of the largest kind, which in size resemble the eye of an ox. But the criticism of this great man is not solid. The likeliest method of reconciling the two places is supposing a change in the letters, as specified above. The reader will at once see that what are called the oxen, 2Chr 4:3 , said to be round about the brim, are widely different from those 2Chr 4:4 , by which this molten sea was supported. Verse 5 It - held three thousand baths - In 1Kgs 7:26 , it is said to hold only two thousand baths. As this book was written after the Babylonish captivity, it is very possible that reference is here made to the Babylonish bath which might have been less than the Jewish. We have already seen that the cubit of Moses, or of the ancient Hebrews, was longer than the Babylonish by one palm; see on 2Chr 3:3 (note). It might be the same with the measures of capacity; so that two thousand of the ancient Jewish baths might have been equal to three thousand of those used after the captivity. The Targum cuts the knot by saying, "It received three thousand baths of dry measure, and held two thousand of liquid measure. Verse 6 He made also ten lavers - The lavers served to wash the different parts of the victims in; and the molten sea was for the use of the priests. In this they bathed, or drew water from it for their personal purification. Verse 8 A hundred basons of gold - These were doubtless a sort of paterae or sacrificial spoons, with which they made libations. Verse 9 He made the court of the priests - This was the inner court. And the great court - This was the outer court, or place for the assembling of the people. Verse 16 Huram his father - אב ab, father, is often used in Hebrew to signify a master, inventor, chief operator, and is very probably used here in the former sense by the Chaldee: All these Chiram his master made for King Solomon; or Chiram Abi, or rather Hiram, made for the king. Verse 17 In the clay ground - See on 1Kgs 7:46 (note). Some suppose that he did not actually cast those instruments at those places, but that he brought the clay from that quarter, as being the most proper for making moulds to cast in. Verse 21 And the flowers, and the lamps - Probably each branch of the chandelier was made like a plant in flower, and the opening of the flower was either the lamp, or served to support it. Verse 22 The doors - were of gold - That is, were overlaid with golden plates, the thickness of which we do not know. That every thing in the tabernacle and temple was typical or representative of some excellence of the Gospel dispensation may be readily credited, without going into all the detail produced by the pious author of Solomon's Temple Spiritualized. We can see the general reference and the principles of the great design, though we may not be able to make a particular application of the knops, the flowers, the pomegranates, the tongs, and the snuffers, to some Gospel doctrines: such spiritualizing is in most cases weak, silly, religious trifling; being ill calculated to produce respect for Divine revelation. Introduction

11 And Huram made the pots, and the shovels, and the basons. And Huram finished the work that he was to make for king Solomon for the house of God; 12 To wit, the two pillars, and the pommels, and the chapiters which were on the top of the two pillars, and the two wreaths to cover the two pommels of the chapiters which were on the top of the pillars; 13 And four hundred pomegranates on the two wreaths; two rows of pomegranates on each wreath, to cover the two pommels of the chapiters which were upon the pillars. 14 He made also bases, and lavers made he upon the bases; 15 One sea, and twelve oxen under it. 16 The pots also, and the shovels, and the fleshhooks, and all their instruments, did Huram his father make to king Solomon for the house of the Lord of bright brass. 17 In the plain of Jordan did the king cast them, in the clay ground between Succoth and Zeredathah. 18 Thus Solomon made all these vessels in great abundance: for the weight of the brass could not be found out. 19 And Solomon made all the vessels that were for the house of God, the golden altar also, and the tables whereon the showbread was set; 20 Moreover the candlesticks with their lamps, that they should burn after the manner before the oracle, of pure gold; 21 And the flowers, and the lamps, and the tongs, made he of gold, and that perfect gold; 22 And the snuffers, and the basons, and the spoons, and the censers, of pure gold: and the entry of the house, the inner doors thereof for the most holy place, and the doors of the house of the temple, were of gold. We have here such a summary both of the brass-work and the gold-work of the temple as we had before ( 1 Kings vii. 13 , &c.), in which we have nothing more to observe than, 1. That Huram the workman was very punctual: He finished all that he was to make ( v. 11 ), and left no part of his work undone. Huram, his father, he is called, v. 16 . Probably it was a sort of nickname by which he was commonly known, Father Huram; for the king of Tyre called him Huram Abi, my father, in compliance with whom Solomon called him his, he being a great artist and father of the artificers in brass and iron. He acquitted himself well both for ingenuity and industry. 2. Solomon was very generous. He made all the vessels in great abundance ( v. 18 ), many of a sort, that many hands might be employed, and so the work might go on with expedition, or that some might be laid up for use when others were worn out. Freely he has received, and he will freely give. When he had made vessels enough for the present he could not convert the remainder of the brass to his own use; it is devoted to God, and it shall be used for him.

His father - He is so called because Solomon usually called him by that name out of that great respect which he bare to him for his excellent art and service which he did for him: it being usual to call great artists and inventors of things by this name.