Song of Solomon 1 Commentary
Verse-by-verse exposition of Song of Solomon chapter 1
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Adam ClarkeAdam Clarke Commentary · 1826
Introduction to the Canticles,or Song of Solomon The book before us is called in the Hebrew שיר השירים Shir Hashshirim, "The Song of Songs;" or, "An Ode of the Odes:" which might be understood, "An Ode taken or selected from others of a similar kind;" or, "An Ode the most excellent of all others;" this being an idiom common to the Hebrew language: e.g., the God of gods is the supreme God; the Lord of lords, the supreme Lord; the King of kings, the supreme King; the heaven of heavens, the supreme or highest heaven. It may therefore be designed to express "a song of the utmost perfection; one of the best that existed, or had ever been penned." Perhaps the title may have a reference to the other poetical compositions of Solomon, which were no less than one thousand and five; and this was considered the most excellent of the whole, and the only one that remains, unless we suppose Solomon, with some of the Jews, to be the author of Psalms 72 and Psa 127:1-5 : but this cannot be proved. There have been some doubts concerning the author of this book. Some of the rabbins supposed it to be the work of the prophet Isaiah; but this sentiment never gained much credit. Most have, without hesitation, attributed it to Solomon, whose name it bears; and if the book of Ecclesiastes be his, this will follow in course, as the style is exactly the same, allowing for the difference of the subject. Both books seem to have been written about the same time, and to have had the same author. This book, if written by Solomon, could not have been written in his old age, as some have supposed the book of Ecclesiastes to have been; which sentiment is, I think, sufficiently disproved; for we find that long before Solomon's old age he had three hundred wives, and seven hundred concubines; but at the time this Song was written, Solomon had only sixty wives and eighty concubines. And the Song most certainly celebrates a marriage; whether between Solomon and the daughter of Pharaoh, or between him and some Jewish princess, has not been fully agreed on among critics and commentators. It is most likely to have been a juvenile or comparatively juvenile production; and indeed the high and glowing colouring, and the strength of the images, are full proofs of this. Though Anacreon made amatory odes when he was bald-headed, yet neither he nor any one else, humanly speaking, could have made such odes as the Canticles when stricken in years. But to what denomination of writing do the Canticles belong? Are they mere Odes, or Idyls, or Pastorals; or are they an Epithalamium? Let us define these terms, and examine the Song of Solomon by them. 1. The Ode is generally understood to be a species of poetry containing sublime and important matter, always sung, or accompanied by the harp, or some proper musical instrument. 2. The Idyl implies a short poem, containing some adventure. 3. The Pastoral contains what belongs to shepherds, and their occupations. 4. The Epithalamium is the congratulatory song, sung to a new married pair, wishing them abundant blessings, a numerous and happy offspring, etc. Strictly speaking, the Book of Canticles falls under neither of these descriptions: it is rather a composition sui generis, and seems to partake more of the nature of what we call a Mask, than any thing else; an entertainment for the guests who attended the marriage ceremony, with a dramatic cast throughout the whole, though the persons who speak and act are not formally introduced. There are so many touches in the form and manner of this Song like those in the Comus of Milton, that it leads me to doubt whether the English poet has not taken the idea of his mask from the Jewish. As to the persons, chiefly concerned, it is generally believed that Solomon and Pharaoh's daughter are the bridegroom and bride; with their proper attendants, viz., companions of the bridegroom, and companions of the bride, with certain mutes, who only appear, or are mentioned by others, without taking any particular part in the transactions. But it is much more easy to be satisfied on the species of composition to which this book belongs, than on the meaning of the book itself. Is it to be understood in the obvious manner in which it presents itself? And are Solomon and his bride, their friends and companions, to be considered as mere dramatis personae? Or are they typical or representative persons? Does this marriage represent a celestial union? Do the speeches of each contain Divine doctrines? Are the metaphors, taken from earthly things, to be understood of spiritual matters? In a word, does Solomon here represent Jesus Christ. Is the daughter of Pharaoh the Christian Church; or, according to some Roman Catholics, the Virgin Mary? Are watchmen, vineyard-keepers, shepherds, etc., the ministers of the Gospel? Wine and vartous fruits, the influences and graces of the Divine Spirit? etc., etc. How multitudinous and positive are the affirmative answers to these questions! And yet, though the many agree in the general principle, how various their expositions of the different parts of the piece! And where, all this time, is the proof that the principle is not misunderstood? As to conjectures, they are as uncertain as they are endless; and what one pious or learned man may think to be the meaning, is no proof to any other that he should make up his mind in the same way. Let us for a moment consider the different opinions held on this book, without entering into the discussion of their propriety or impropriety. They are the following: - I. It is a plain epithalamium on the marriage of Solomon with the daughter of Pharaoh, king of Egypt; and is to be understood in no other way. II. It is an allegory relative to the conduct of God towards the Hebrews, in bringing them out of Egypt, through the wilderness to the Promised Land. III. It is intended to represent the incarnation of Jesus Christ, or his marriage with human nature, in reference to its redemption. IV. It represents Christ's love to the Church or elected souls, and their love to him. V. It is an allegorical poem on the glories of Jesus Christ and the Virgin Mary. VI. It is a collection of sacred idyls; the spiritual meaning of which is not agreed on. Now each of these opinions has its powerful supporters, and each of these has reasons to offer for the support of the opinion which is espoused; and nothing but a direct revelation from God can show us which of these opinions is the correct one, or whether any of them are correct. The antiquity of an opinion, if that be not founded on a revelation from God, is no evidence of its truth; for there are many ungodly opinions which are more than a thousand years old. And as to great men and great names, we find them enrolled and arranged on each side of all controversies. It may be asked, What do Christ and his apostles say of it? 1. If Jesus Christ or any of his apostles had referred to it as an allegory, and told us the subject which it pointed out, the matter would have been plain: we should then have had data, and had only to proceed in the way of elucidation. But we find nothing of this in the New Testament. 2. If they had referred to it as an allegory, without intimating the meaning, then we should be justified in searching everywhere for that meaning; and conjecture itself would have been legal, till we had arrived at some self-testifying issue. 3. If they had referred to it at all, in connection with spiritual subjects, then we should have at once seen that it was to be spiritually understood; and, comparing spiritual things with spiritual, we must have humbly sought for its spiritual interpretation. 4. Had the Supreme Being been introduced, or referred to in any of his essential attributes, or by any of the names which he has been pleased to assume in his revelations to men, we should have then seen that the writer was a spiritual man, and wrote probably in reference to a spiritual end; and, that we should pass by or through his letter, in order to get to the spirit concealed under it. But none of these things appear in this book: the name of God is not found in it; nor is it quoted in the New Testament. As to certain references which its allegorical expositors suppose are made to it, either in the Gospels, Epistles, or Apocalypse, they are not express, and do not, by any thing in or connected with them, appear unequivocally to point out this book. And after all that has been said, I am fully of opinion it is not once referred to in the New Testament. But this is no proof of its not being canonical, as there are other books, on which there is no doubt, that are in the same predicament. But still, if it refer so distinctly to Christ and his Church, as some suppose, it certainly would not have been passed over by both evangelists and apostles without pointed and especial notice; and particularly if it points out the love of Christ to his Church, and the whole economy of God's working in reference to the salvation of the souls of men. From all this it will appear to the intelligent reader, that the spiritual meaning of this book cannot easily be made out: 1. Because we do not know that it is an allegory. 2. If one, the principles on which such allegory is to be explained do nowhere appear. Whom then are we to follow in the interpretation of this very singular book? The Targumist, who applies it to God and the Hebrews, in their journeyings from Egypt to the promised land? Origen, who made it a Christian allegory? Apponius, who spiritualized it? Gregory the Great, who in the main copied them? The good man, who in 1717, at Paris, so illustrated it as "to induce men to devote themselves to Jesus Christ and the Virgin Mary?" Mr. Durham, Mr. Robotham, Mr. Ainsworth, Mr. Romaine, and Dr. Gill, who endeavored to prove that it concerns Christ and the elect? Or Mr. Harmer and others who acknowledge it to be an inimitable composition, and to be understood only of Solomon and Pharaoh's daughter? Or, finally, Dr. Mason Good, who considers it a collection of sacred idyls, the spiritual interpretation of which is not agreed on? I had for a long time hesitated whether I should say any thing on this book; not because I did not think I understood its chief design and general meaning, for of this I really have no doubt, but because I did not understand it as a spiritual allegory, representing the loves off Christ and his Church. I must own I see no indubitable ground for this opinion. And is it of no moment whether the doctrines drawn from it, by those who allegorize and spiritualize it, be indubitably founded on it or not? The doctrines may be true in themselves, (which is indeed more than can be said of those of most of its interpreters), but is it not a very solemn, and indeed awful thing to say, This is the voice of Christ to his Church, This is the voice of the Church to Christ, etc., etc., when there is no proof from God, nor from any other portion of his word, that these things are so? It is much better, therefore, if explained or illustrated at all, to take it in its literal meaning, and explain it in its general sense. I say general sense, because there are many passages in it which should not be explained, if taken literally, the references being too delicate; and Eastern phraseology on such subjects is too vivid for European imaginations. Let any sensible and pious medical man read over this book, and, if at all acquainted with Asiatic phraseology, say whether it would be proper, even in medical language, to explain all the descriptions and allusions in this poem. After what I have said on the difficulty of interpreting this book in a spiritual way it would not be fair to withhold from the reader the general arguments on which the theory of its allegorical meaning is founded. The principal part of the commentators on this book, especially those who have made it their separate study, have in general taken it for granted that their mode of interpretation is incontrovertible; and have proceeded to spiritualize every figure and every verse as if they had a Divine warrant for all they have said. Their conduct is dangerous; and the result of their well-intentioned labors has been of very little service to the cause of Christianity in general, or to the interests of true morality in particular. By their mode of interpretation an undignified, not to say mean and carnal, language has been propagated among many well-meaning religious people, that has associated itself too much with selfish and animal affections, and created feelings that accorded little with the dignified spirituality of the religion of the Lord Jesus. I speak not from report; I speak from observation and experience, and observation not hastily made. The conviction on my mind and the conclusion to which I have conscientiously arrived, are the result of frequent examination, careful reading, and close thinking, at intervals, for nearly fifty years; and however I may be blamed by some, and pitied by others, I must say, and I say it as fearlessly as I do conscientiously, that in this inimitably fine elegant Hebrew ode I see nothing of Christ and his Church, and nothing that appears to have been intended to be thus understood; and nothing, if applied in this way, that, per se, can promote the interests of vital godliness, or cause the simple and sincere not to "know Christ after the flesh." Here I conscientiously stand. May God help me! The most rational view of the subject that I have seen is that taken by Mr. Harmer, who has indeed detailed and strengthened the arguments of his predecessors who have declared for the spiritual meaning. In his "Outlines of a Comment upon Solomon's Song," he supposes that the Song refers to Solomon's marriage with the daughter of Pharaoh; and that he had a Jewish queen, who is frequently referred to in the work; and that, unless this be allowed, there are several important passages in the book that cannot be understood; and indeed it is on this principle that he finds his chief ground for a spiritual and allegorical interpretation. "Whatever was the intention of God," says he, "in bringing about this marriage, and in causing it to be celebrated in such an extraordinary manner, by songs that were directed to be placed among the sacred writings, it is certain there never was any resemblance more striking between the circumstances and transactions of any of the remarkable personages of the Old Testament and those of Messiah, than the likeness we may observe between Solomon marrying a Gentile princess, and making her equal in honor and privileges with his former Jewish queen, and in her being frequently mentioned afterwards in history, while the other is passed over in total silence, and the conduct of the Messiah towards the Gentile and Jewish Churches. "The two remarkable things in the conduct of the Messiah towards the two Churches are the making the Gentiles fellow heirs of the same body and partakers of the promises, without and difference; and the giving up to neglect the Jewish Church, while that of the Gentiles has long flourished in great honor, and been the subject of many a history. St. Paul takes notice of both these circumstances with particular solemnity; of the first, in the third chapter of Ephesians, and elsewhere; of the other, in the eleventh chapter of Romans. They are points, then, that deserve great attention. "They are both called mysteries, ( Rom 11:25 ; Eph 3:3 ), that is, things that had been concealed aforetime; but it by no means follows that there were no shadowy representations of these events in the preceding ages, only that they were not clearly and expressly revealed. "Kingdoms and cities are frequently spoken of in holy writ as women. Sacred as well as secular bodies of men are represented under that image. The universal Church is spoken of under the notion of a bride, and the Messiah as her husband, Ephesians 5: The two Churches of Jews and Gentiles, or the Church under the Mosaic dispensation and the Church freed from those ceremonies, are represented as two women - the one formerly treated as the principal wife; and the second, as having been for a long time neglected, but afterwards producing a much more numerous issue than the first-by the prophet Isaiah in his fifty-fourth chapter, according to the explanation St. Paul has given of that passage in Galatians 4: Particular Churches are mentioned after the same manner. So, concerning the Church at Corinth, St. Paul says, "I have espoused you to one husband, that I may present you as a chaste virgin to Christ;" 2Cor 11:2 . "Since then it is common for the Scriptures to represent the Church of God under the notion of a woman, and the Messiah under that of a husband; since the two bodies of men - that which worshipped God according to the Mosaic rites, and that which observed them not - are compared to two women; and since the circumstances of these two Churches are such as I have given an account of from St. Paul, it must be acknowledged that there is a lively resemblance between Solomon's espousing the Egyptian princess and the Messiah's admitting the Gentiles to equal privileges with the Jews, whether it was or was not designed by God as an emblem and type of it celebrated by his prophets for this cause, in holy songs; and those songs preserved with care to this day among writings of the most sacred kind on that account." This is the whole of Mr. Harmer's argument; see his Outlines, pages 74-77. And what is proved by it? Nothing, in reference to this book. We know that the Jewish people, not the Church exclusively, are represented under the notion of a woman addicted, and a wife unfaithful, divorced, and forsaken, etc.; and that the Corinthians were represented under the notion of a chaste virgin espoused to Christ. And we know that all this was done to show, that as the marriage union was the closest, strictest, and most sacred among men, the union of the soul to God, and its connection with him, might be most fitly represented by that union, and unfaithfulness to him by infidelity in the other case. But what has this to do with the Song of Solomon? Where is the intimation that Solomon represents Christ; Pharaoh's daughter, the Church of the Gentiles; and the Jewish queen, the Church of the Israelites? Nowhere. Why then assume the thing that should be proved; and then build doctrines on it, and draw inferences from it, as if the assumption had been demonstrated? Were this mode of interpretation to be applied to the Scriptures in general, (and why not, if legitimate here?) in what a state would religion soon be! Who could see any thing certain, determinate, and fixed in the meaning of the Divine oracles, when fancy and imagination must be the standard interpreters? God has not left his word to man's will in this way. Every attempt, however well-intentioned, to revive this thriftless, not to say dangerous, Origenian method of seducing the Scriptures to particular creeds and purposes, should be regarded with jealousy; and nothing received as the doctrine of the Lord but what may be derived from those plain words of the Most High which lie most on a level with the capacities of mankind. Allegory, metaphor, and figures in general, where the design is clearly indicated, which is the case with all those employed by the sacred writers, may come in to illustrate and more forcibly to apply Divine truth; but to extort celestial meanings from a whole book, where no such indication is given, is most certainly not the way to arrive at the knowledge of the true God, and of Jesus Christ whom he has sent. As the Jewish marriages were celebrated for seven days, it has been often observed that this Song divides itself into seven periods, and describes the transactions of each. I. The First chapter represents the bridegroom and bride as a shepherd and shepherdess. The bride asks her spouse where he takes his flock at noon, to preserve them from the excessive heat, lest she, in seeking him, should go astray into some strange pastures. After this day, the first night succeeds, which is pointed out Sol 2:4-6 . The bridegroom rises early in the morning, leaves the bride asleep, and goes hastily to the fields to his necessary occupations, Sol 2:7 . II. The Second night is pointed out Sol 2:8 , Sol 2:9 , etc. The bridegroom comes to the window of his spouse. She opens it, and he enters; and on the morrow, he returns to the fields to his flocks, Sol 2:17 . III. The Third night, the bridegroom having delayed his coming, the bride, being uneasy, arises from her bed, and goes out and inquires of the guards of the city, whether they had seen her beloved. She had not gone far from them till she met with him; she conducts him to her apartment, 3:14. Very early in the morning, he retires to the country, leaving the bride asleep, verse 5. Afterwards she arises, and goes also to the fields, verse 6.The Fourth chapter is an eulogium on the bride's beauty; and seems to be a conversation between the parties in the country. She invites the bridegroom to visit her, Sol 5:1 . He leaves his friends, with whom he was feasting, and comes to the door of his spouse, Sol 5:2 . She hesitating to let him in, he withdraws and goes to his garden. The bride follows; but, not knowing whither he had retired, asks the guards of the city, by whom she is maltreated; thence goes to the daughters of Jerusalem, and inquires of them, Sol 5:3 , etc. At last she meets with him, Sol 6:1 , etc., and having spent some time with him, returns. IV. Sol 6:9 , points out the Fourth night of the marriage. V. The Fifth night is pointed out Sol 7:1 , etc. The bridegroom gives his bride nearly the same praise and commendations which he had received from her in the preceding chapters; and early in the morning they go out together to the fields, Sol 7:11-13 . VI. The Sixth night they pass at a village in the country, at the house of a person who is termed the bride's mother, Sol 7:13 ; Sol 8:1-3 . She invites her spouse thither, and promises to regale him with excellent fruits and choice wine; and early in the morning the bridegroom arises, leaves the bride asleep as formerly, and retires to the country, Sol 8:4 . VII. The Seventh night is passed in the gardens. From Sol 8:5 , we have a series of dialogues between the bride and bridegroom. In the morning the bridegroom, having perceived that they were overheard, begs the bride to permit him to retire. She assents, Sol 8:13 , Sol 8:14 , and exhorts him "to make haste, and be like a roe or a young hart on the mountains of spices." This is the division, which is in the main most followed, especially by the best critics. But, besides this, several others have been proposed; and the reader, who wishes to enter more particularly into the subject, may consult Bishop Bossuet, Calmet, and Bishop Lowth. For my own part I doubt the propriety of this technical arrangement, and do not think that any thing of the kind was intended by the author. The division is not obvious; and therefore, in my apprehension, not natural. Of Dr. Good's division I shall speak below. The dramatis personae have been marked by some of the ancient interpreters, and the different portions of the whole Song appointed to several persons who are specified; and this division served for the basis of a commentary. The most regular division of this kind with which I have met is in a MS. of my own; the Bible which I have often quoted in my comment. This, attributed by some to Wiclif, and by others to an older translator, I have carefully transcribed, with all the distinction of parts and speeches. The translation is very simple; and in many cases is much more faithful to the meaning of the Hebrew text, though in the main taken from the Vulgate, than our own version. It is a great curiosity, and certainly was never before printed; and is a fine specimen of our mother tongue as spoken in these countries in M.CCCLX., which may be about the date of this translation. On the common mode of interpretation I venture to assert that my readers will understand this Song ten times better from this translation and its rubricks, than they have ever done from all the forms in which it has been presented to them, to the present time. For this addition, I anticipate the thanks of every intelligent reader. The indications of the speakers, printed here in black letter, are all rubrick, in the beautiful original. I have added a short glossary on some of the more difficult or obsolete words, which will assist the less experienced reader, under whose notice such remote specimens of his own tongue seldom fall. Between twenty and thirty years ago I received from India a part of the Gitagovinda, or Songs of Jayadeva. This poet, the finest lyric poet of India, flourished before the Christian era; and the poem above, which makes the tenth book of the Bhagavet, was written professedly to celebrate the loves of Chrishna and Radha, or the reciprocal attraction between the Divine goodness and the human soul. The author leaves us in no doubt concerning the design of this little pastoral drama; for in the conclusion he thus speaks: "Whatever is delightful in the modes of music, whatever is Divine in Meditations on Vishnu, whatever is exquisite in the sweet art of love, whatever is graceful in the fine strains of poetry; all that, let the happy and wise learn from the Songs of Jayadeva, whose soul is united with the foot of Narayan." Vishnu and Narayan are epithets of Christina, or the supreme incarnated god of the Hindoos. I found the general phraseology of this work, and its imagery as well as its subject, to correspond so much with those of the Song of Solomon, that in the short notes which I wrote on this book in 1798, I proposed the illustration of many of its passages from the Gitagovinda; and was pleased to find, several years after, that my view of the subject had been confirmed by that encyclopedia of learning and science, Dr. Mason Good, who in his translation of the Song of Songs, with critical notes, published 1803, 8vo., has illustrated many passages from the Gitagovinda. After having made a selection from this ancient poet for the illustration of the Song of Solomon, I changed in some measure my purpose, and determined to give the whole work, and leave it to my readers to apply those passages which they might think best calculated to throw light upon a book which professedly has the wisest of men for its author, and according to the opinion of many, the most important doctrines of the Christian religion for its subject. I have now followed the metrical version which I received from India, but rather the prose translation of Sir William Jones; dividing it into parts and verses, after the model of the metrical version above mentioned; and adding verbal interpretations of the principal proper names and difficult terms which are contained in the work. Having been long convinced that the Chaldee Taryum is at once the oldest and most valuable comment upon this book, I have also added this. And here I might say that I have not only followed my own judgment, but that also of a very learned divine, Dr. John Gill, who, having preached one hundred and twenty-two sermons on the Song of Solomon, to the Baptist congregation at Horsleydown, near London, embodied them all in what he calls "An Exposition" of this book; to which he added a translation of the Targum, with short explanatory notes, folio, 1728. This was, however, suppressed in all the later editions of this exposition; but why, I cannot tell. This piece I give to my readers, and for the same reasons alleged by this very learned and excellent man himself: - "At the end of this exposition I have given," says he, "a version of the Targum or Chaldee paraphrase upon the whole book, with some notes thereon, induced hereunto by the following reasons: "First, to gratify the curiosity of some who, observing frequent mention and use made of it in my exposition, might be desirous of perusing the whole. "Secondly, for the profitableness thereof. Our learned countryman, Mr. Broughton, says, this paraphrase is worth our study both for delight and profit. It expounds several passages of Scripture, and some in the New Testament, which I have directed to in my notes upon it; and I am persuaded that the writings of the Jews, the ancient Jews especially, would give us much light into the phraseology and sense of abundance of texts in the New Testament." It is certain that this paraphrase does very often direct us, or at least confirm us, as to the persons speaking in this Song, to know which is of very great use in the explication of it. I shall add another reason: I believe the Song of Solomon refers more to the Jewish than to the Christian Church, and I think the Targumist has made a more rational use of it than any of his successors. I have thus places within the reach of all my readers Three especial helps towards a good understanding of this book: 1. The ancient English translation, with its curious dramatis personae 2. The Gitagovinda, a most curious poem of the spiritual and allegorical kind. 3. The Chaldee Targam, the oldest comment on this Song. And I add my prayer, May God guide the reader into all truth, through Christ Jesus! Amen. On this part of the subject it would be almost criminal not to mention, still more particularly, Dr. Mason Good's translation and notes on the Song of Songs. He has done much to elucidate its phraseology, and his notes are a treasury of critical learning. He considers the book to be a collection of Sacred Idyls, twelve in number; and his division is as follows: Idyl I Royal Bride Sol 1:2 , Sol 1:3 , Sol 1:4 Attendant Virgins Part of the fourth verse, beginning, "We will exult." Royal Bride Sol 1:5 , Sol 1:6 , Sol 1:7 Attendant Virgins Sol 1:8 Idyl II King Solomon Sol 1:9 , Sol 1:10 , Sol 1:11 Royal Bride Sol 1:12 , Sol 1:13 , Sol 1:14 King Solomon Sol 1:15 Royal Bride Sol 1:16 , Sol 1:17 , Sol 2:1 King Solomon Sol 2:2 Royal Bride Sol 2:3 , Sol 2:4 , Sol 2:5 , Sol 2:6 , Sol 2:7 Idyl III Royal Bride Sol 2:8 , Sol 2:9 , Sol 2:10 , Sol 2:11 , Sol 2:12 , Sol 2:13 , Sol 2:14 , Sol 2:15 , Sol 2:16 , Sol 2:17 Idyl IV Royal Bride Sol 3:1 , Sol 3:2 , Sol 3:3 , Sol 3:4 , Sol 3:5 Idyl VScene, a Chiosk or Pavilion Attendant Virgins Sol 3:6 Other Virgins Sol 3:7 , Sol 3:8 , Sol 3:9 , Sol 3:10 Royal Bride Sol 3:11 King Solomon Sol 4:1 , Sol 4:2 , Sol 4:3 , Sol 4:4 , Sol 4:5 , Sol 4:6 , Sol 4:7 Idyl VI King Solomon Sol 4:8 , Sol 4:9 , Sol 4:10 , Sol 4:11 , Sol 4:12 , Sol 4:13 , Sol 4:14 , Sol 4:15 Royal Bride Sol 4:16 King Solomon Sol 5:1 Royal Bride Part of the first verse, beginning, "Eat, O my friends." Idyl VII Royal Bride Sol 5:2 , Sol 5:3 , Sol 5:4 , Sol 5:5 , Sol 5:6 , Sol 5:7 , Sol 5:8 Virgins Sol 5:9 Royal Bride Sol 5:10 , Sol 5:11 , Sol 5:12 , Sol 5:13 , Sol 5:14 , Sol 5:15 , Sol 5:16 Virgins Sol 6:1 Royal Bride Sol 6:2 , Sol 6:3 King Solomon Sol 6:4 , Sol 6:5 , Sol 6:6 , Sol 6:7 , Sol 6:8 , Sol 6:9 , Sol 6:10 Idyl VIII Royal Bride Sol 6:11 , Sol 6:12 Virgins Sol 6:13 Royal Bride Part of the thirteenth verse, beginning, "What do you expect?" Virgins Latter part of the thirteenth verse, beginning "Fortitude." Idyl IX Virgins Sol 7:1 , Sol 7:2 , Sol 7:3 , Sol 7:4 , Sol 7:5 King Solomon Sol 7:6 , Sol 7:7 , Sol 7:8 , Sol 7:9 Idyl X Royal Bride Sol 7:10 , Sol 7:11 , Sol 7:12 , Sol 7:13 , Sol 8:1 , Sol 8:2 , Sol 8:3 , Sol 8:4 Idyl XI Virgins Sol 8:5 King Solomon Part of the fifth verse, beginning, "I excited thee." Royal Bride Sol 8:6 King Solomon Sol 8:7 Idyl XII Royal Bride Sol 8:8 King Solomon Sol 8:9 Royal Bride Sol 8:10 , Sol 8:11 , Sol 8:12 King Solomon Sol 8:13 Royal Bride Sol 8:14 There have been various opinions on this division; and many will still think that much remains yet to be done. Dr. Good considers it a spiritual allegory; but he does not attempt a spiritual application of any part of it. This perhaps is no mean proof of his good sense and judgment. I have acted in the same way, though not so convinced of its spirituality as Dr. Good appears to be. If I took it up in this way, I should explain it according to my own creed, as others have done according to theirs; and could I lay it down as a maxim, that it is to be spiritually interpreted in reference to the Christian Revelation, I might soon show my reader that it points out the infinite love of God to every human soul, in the incarnation of Christ; the means he uses to bring all mankind to an acquaintance with himself; the redemption of true believers from all unrighteousness, through the inspiration of God's Holy Spirit; their consequent holy life, and godly conversation; the calling of the Gentiles; the restoration of the Jews; and the final judgment! And my comment on this plan would have just as solid a foundation as those of my predecessors, from Origen to the present day. To conclude: I advise all young ministers to avoid preaching on Solomon's Song. If they take a text out of it, to proclaim salvation to lost sinners, thev must borrow their doctrines from other portions of Scripture, where all is plain and pointed. And why then leave such, and go out of their way to find allegorical meanings, taking a whole book by storm, and leaving the word of God to serve tables? It is curious to see the manner in which many preachers and commentators attempt to expound this book. They first assume that the book refers to Christ and his Church; his union with human nature; his adoption of the Gentiles; and his everlasting love to elect souls, gathered out of both people; then take the words bride, bridegroom, spouse, love, watchmen, shepherds, tents, door, lock, etc., etc., and, finding some words either similar or parallel, in other parts of the sacred writings, which have there an allegorical meaning, contend that those here are to be similarly understood; and what is spoken of those apply to these; and thus, in fact, are explaining other passages of Scripture in their own way, while professing to explain the Song of Solomon! What eminent talents, precious time, great pains, and industry, have been wasted in this way! One eminent scholar preaches to his congregation one hundred and twenty-two sermons upon the Song of Solomon, while all this time the evangelists and apostles have been comparatively forgotten; except only as they are referred to in illustration of the particular creed which such writers and preachers found on this book. How can they account to God for so much time spent on a tract which requires all their ingenuity and skill to make edifying, even on their own plan; a text of which they are not permitted to allege, in controversy, to prove the truth of any disputed doctrine? This, however, is not the fault of any particular class of ministers exclusively; several of all classes, though of some more than of others, have been found, less or more, laboring at this thriftless craft. Some, having preached on it during the whole of their ministry, have carried it, in a certain way, beyond the grave. An aged minister once told me, in a very solemn manner, that as God had been exceedingly merciful to him in saving his soul, and putting him into the ministry, thus accounting him faithful, he hoped that, when called to the Church above, if any funeral sermon were preached for him, it should be from Song of Solomon, Sol 1:8 : "Go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds' tents." That he could have applied these words to his own state, and the use which should be made of his life and death, I have no doubt; but who, from this text, would have chosen to pronounce the funeral oration? I repeat it, and I wish to be heard by young ministers in particular, take the plainest texts when you attempt to convince men of sin, and build up believers on their most holy faith; and thus show rather your love for their souls than your dexterity in finding out spiritual meanings for obscure passages, on the true signification of which few, either among the learned or pious, are agreed. I now, according to my promise, lay before my readers a transcript from my own MS. Bible, which is most probably the first translation of this Song that was ever made into the English language. I have added, for the sake of reference, the figures for the present division into verses, in the margin: these are not in the MS. The dramatic personae, here in black letter, are in red in the MS. The orthography is scrupulously followed. The bride's love to her spouse, Sol 1:1-5 . She conffieuses her unworthiness; desires to be directed to the flock, Sol 1:6 , Sol 1:7 ; and she is directed to the shepherds' tents, Sol 1:8 . The bridegroom describes his bride, and shows how he will provide for her, and how comfortably they are accommodated, Sol 1:9-17 . Verse 1 The song of songs - A song of peculiar excellence. See the Introduction. The rabbins consider this superior to all songs. Ten songs, says the Tarpon, have been sung; but this excels them all. 1. The first was sung by Adam when his sin was pardoned. 2. The second was sung by Moses and the Israelites at the Red Sea. 3. The third was sung by the Israelites when they drank of the rock in the wilderness. 4. The fourth was sung by Moses when summoned to depart from this world. 5. The fifth was sung by Joshua when the sun and moon stood still. 6. The sixth was sung by Deborah and Barak after the defeat of Sisera. 7. The seventh was sung by Hannah when the Lord promised her a son. 8. The eighth was sung by David for all the mercies given him by God. 9. The ninth is the present, sung in the spirit of prophecy by Solomon. 10. The tenth is that which shall be sung by the children of Israel when restored from their captivities. See the Targum. Verse 2 Let him kiss me, etc. - She speaks of the bridegroom in the third person, to testify her own modesty, and to show him the greater respect. Thy love is better than wine - The versions in general translate דדיך dodeyca, thy breasts; and they are said to represent, spiritually, the Old and New Testaments. Verse 3 Thy name is as ointment poured forth - Ointments and perfumes were, and still are, in great request among the Asiatics. They occur constantly in their entertainments. Thy name is as refreshing to my heart, as the best perfumes diffused through a chamber are to the senses of the guests. Therefore do the virgins love thee - She means herself; but uses this periphrasis through modesty. Verse 4 Draw me - Let me have the full assurance of thy affection. We will run after thee - Speaking in the plural through modesty, while still herself is meant. The king hath brought me - My spouse is a potentate, a mighty king, no ordinary person. Into his chambers - He has favored me with his utmost confidence. The upright love thee - The most perfect and accomplished find thee worthy of their highest esteem. Verse 5 I am black, but comely - This is literally true of many of the Asiatic women; though black or brown, they are exquisitely beautiful. Many of the Egyptian women are still fine; but their complexion is much inferior to that of the Palestine females. Though black or swarthy in my complexion, yet am I comely - well proportioned in every part. As the tents of Kedar - I am tawny, like the tents of the Arabians, and like the pavilions of Solomon, probably covered by a kind of tanned cloth. The daughters of Jerusalem are said to represent the synagogue; the bride, the Church of Christ. It is easy to find spiritual meanings: every creed will furnish them. Verse 6 Because the sun hath looked upon me - The bride gives here certain reasons why she was dark complexioned. "The sun hath looked upon me." I am sunburnt, tanned by the sun; being obliged, perhaps, through some domestic jealously or uneasiness, to keep much without: "My mother's children were angry; they made me keeper of the vineyards." Here the brown complexion of the Egyptians is attributed to the influence of the sun or climate. My mother's children were angry with me - Acted severely. The bringing of a foreigner to the throne would no doubt excite jealousy among the Jewish females; who, from their own superior complexion, national and religious advantages, might well suppose that Solomon should not have gone to Egypt for a wife and queen, while Judea could have furnished him with every kind of superior excellence. Verse 7 Tell me - where thou feedest - This is spoken as if the parties were shepherds, or employed in the pastoral life. But how this would apply either to Solomon, or the princes of Egypt, is not easy to ascertain. Probably in the marriage festival there was something like our masks, in which persons of quality assumed rural characters and their employments. See that fine one composed by Milton, called Comus. To rest at noon - In hot countries the shepherds and their flocks are obliged to retire to shelter during the burning heats of the noon-day sun. This is common in all countries, in the summer heats, where shelter can be had. One that turneth aside - As a wanderer; one who, not knowing where to find her companions, wanders fruitlessly in seeking them. It was customary for shepherds to drive their flocks together for the purpose of conversing, playing on the pipe, or having trials of skill in poetry or music. So Virgil: - Forte sub arguta consederat ilice Daphnis Compulerantque greges Corydon et Thyrsis in unum: Thyrsis oves, Corydon distentas lacte capellas; Ambo florentes aetatibus, Arcades ambo, Et cantare pares, et respondere parati. Ecc 7:1 . "Beneath a holm repair'd two jolly swains: Their sheep and goats together grazed the plains; Both young Arcadians, both alike inspired To sing and answer as the song required." Dryden. This does not express the sense of the original: from the different pastures in which they had been accustomed to feed their flocks, they drove their sheep and goats together for the purpose mentioned in the pastoral; and, in course, returned to their respective pasturages, when their business was over. Verse 8 If thou know not - This appears to be the reply of the virgins. They know not exactly; and therefore direct the bride to the shepherds, who would give information. Verse 9 I have compared thee - to a company of horses - This may be translated, more literally, "I have compared thee, to my mare, in the chariots or courses of Pharaoh;" and so the versions understood it. Mares, in preference to horses, were used both for riding and for chariots in the East. They are much swifter, endure more hardship. and will go longer without food, than either the stallion or the gelding. There is perhaps no brute creature in the world so beautiful as a fine well-bred horse or mare; and the finest woman in the universe, Helen, has been compared to a horse in a Thessalian chariot, by Theocritus. Idyl. 18: ver. 28: - Ὡδε και ἁ χρυσεα Ἑλενα διαφαινετ' εν ἡμιν, Πιειρη, μεγαλη, ἁτ' ανεδραμεν ογμος αρουρᾳ, Η καπῳ κυπαρισσος, η ἁρματι Θεσσαλος ἱππος. "The golden Helen, tall and graceful, appears as distinguished among us as the furrow in the field, the cypress in the garden, or the Thessalian horse in the chariot." This passage amply justifies the Hebrew bard, in the simile before us. See Jer 6:2 . Verse 10 Thy cheeks are comely - D'Arvieux has remarked that "the Arabian ladies wear a great many pearls about their necks and caps. They have golds chains about their necks which hang down upon their bosoms with strings of coloured gauze; the gauze itself bordered with zechins and other pieces of gold coin, which hang upon their foreheods and both cheeks. The ordinary women wear small silver coins, with which they cover their forehead-piece like fish scales, as this is one of the principal ornaments of their faces." I have seen their essence bottles ornamented with festoons of aspers, and small pieces of silver pearls, beads, etc. One of these is now before me. Verse 11 Borders of gold - I have observed several of the handkerchiefs, shawls, and head attire of the Eastern women, curiously and expensively worked in the borders with gold and silver, and variously coloured silk, which has a splendid effect. Verse 12 While the king sitteth at his table - במסבו bimsibbo, in his circle, probably meaning the circle of his friends at the marriage festivals, or a round table. Verse 13 He shall lie all night betwixt my breasts - Mr. Harmer contends that it is the bundle of myrrh which the bride says shall lie all night betwixt her breasts, to which she compares the bridegroom, his name being as pleasing and refreshing to her mind, as the myrrh or stacte was to her senses, by its continual fragrance. Verse 14 A cluster of camphire - Mr. Hasselquist supposes this to mean a bunch of the Cyprus grape; but this is supposed to mean a shrub so called, not any production of the isle of Cypress; the best kinds of which were found at En-gedi. This place belonged to the tribe of Judah. Perhaps the poet alludes to the dark color of the hair, which by the Greeks was not unfrequently compared to the bunches of grapes; by no means an unfit similitude for thick black clustering curls. The following lines represent the same idea: - "The dark black locks that ornament her neck Hang thick and clustering like the branchy palm." Verse 15 Thou hast doves' eyes - The large and beautiful dove of Syria is supposed to be here referred to, the eyes of which are remarkably fine. Verse 16 Also our bed is green - ערס eres, from its use in several places of the Hebrew Bible, generally signifies a mattress; and here probably a green bank is meant, on which they sat down, being now on a walk in the country. Or it may mean a bower in a garden, or the nuptial bed. Verse 17 The beams of our house are cedar - Perhaps it was under a cedar tree whose vast limbs were interwoven with the ברות beroth, a tree of the cypress kind, where they now sat. And this natural bower recommended itself to the poet's attention by its strength, loftiness, and its affording them a shady cover and cool retreat. How natural to break out into the praise of a bower, by whose branches and foliage we are shielded from the intense heat of the sun! Even the shelter of a great rock to a weary land is celebrated by the pen of the first of prophets and greatest of poets, Isa 32:2 . With this chapter the first day of the marriage ceremonies is supposed to end. Introd
Matthew HenryMatthew Henry's Complete Commentary · 1714
Song of Solomon All scripture, we are sure, is given by inspiration of God, and is profitable for the support and advancement of the interests of his kingdom among men, and it is never the less so for there being found in it some things dark and hard to be understood, which those that are unlearned and unstable wrest to their own destruction. In our belief both of the divine extraction and of the spiritual exposition of this book we are confirmed by the ancient, constant, and concurring testimony both of the church of the Jews, to whom were committed the oracles of God, and who never made any doubt of the authority of this book, and of the Christian church, which happily succeeds them in that trust and honour. I. It must be confessed, on the one hand, that if he who barely reads this book be asked, as the eunuch was Understandest thou what thou readest? he will have more reason than he had to say, How can I, except some man shall guide me? The books of scripture-history and prophecy are very much like one another, but this Song of Solomon's is very much unlike the songs of his father David; here is not the name of God in it; it is never quoted in the New Testament; we find not in it any expressions of natural religion or pious devotion, no, nor is it introduced by vision, or any of the marks of immediate revelation. It seems as hard as any part of scripture to be made a savour of life unto life, nay, and to those who come to the reading of it with carnal minds and corrupt affections, it is in danger of being made a savour of death unto death; it is a flower out of which they extract poison; and therefore the Jewish doctors advised their young people not to read it till they were thirty years old, lest by the abuse of that which is most pure and sacred ( horrendum dictu—horrible to say! ) the flames of lust should be kindled with fire from heaven, which is intended for the altar only. But, II. It must be confessed, on the other hand, that with the help of the many faithful guides we have for the understanding of this book it appears to be a very bright and powerful ray of heavenly light, admirable fitted to excite pious and devout affections in holy souls, to draw out their desires towards God, to increase their delight in him, and improve their acquaintance and communion with him. It is an allegory, the letter of which kills those who rest in that and look no further, but the spirit of which gives life, 2 Cor. iii. 6 ; John vi. 63 . It is a parable, which makes divine things more difficult to those who do not love them, but more plain and pleasant to those who do, Matt. xiii. 14 , 16 . Experienced Christians here find a counterpart of their experiences, and to them it is intelligible, while those neither understand it nor relish it who have no part nor lot in the matter. It is a son, an Epithalamium, or nuptial song, wherein, by the expressions of love between a bridegroom and his bride, are set forth and illustrated the mutual affections that pass between God and a distinguished remnant of mankind. It is a pastoral; the bride and bridegroom, for the more lively representation of humility and innocence, are brought in as a shepherd and his shepherdess. Now, 1. This song might easily be taken in a spiritual sense by the Jewish church, for whose use it was first composed, and was so taken, as appears by the Chaldee-Paraphrase and the most ancient Jewish expositors. God betrothed the people of Israel to himself; he entered into covenant with them, and it was a marriage-covenant. He had given abundant proofs of his love to them, and required of them that they should love him with all their heart and soul. Idolatry was often spoken of as spiritual adultery, and doting upon idols, to prevent which this song was penned, representing the complacency which God took in Israel and which Israel ought to take in God, and encouraging them to continue faithful to him, though he might seem sometimes to withdraw and hide himself from them, and to wait for the further manifestation of himself in the promised Messiah. 2. It may more easily be taken in a spiritual sense by the Christian church, because the condescensions and communications of divine love appear more rich and free under the gospel than they did under the law, and the communion between heaven and earth more familiar. God sometimes spoke of himself as the husband of the Jewish church ( Isa. lxiv. 5 , Hos. ii. 16 , 19 ), and rejoiced in it as his bride, Isa. lxii. 4, 5 . But more frequently is Christ represented as the bridegroom of his church ( Matt. xxv. 1 ; Rom. vii. 4 ; 2 Cor. xi. 2 ; Eph. v. 32 ), and the church as the bride, the Lamb's wife, Rev. xix. 7 ; xxi. 2, 9 . Pursuant to this metaphor Christ and the church in general, Christ and particular believers, are here discoursing with abundance of mutual esteem and endearment. The best key to this book is the 45th Psalm , which we find applied to Christ in the New Testament, and therefore this ought to be so too. It requires some pains to find out what may, probably, be the meaning of the Holy Spirit in the several parts of this book; as David's songs are many of them level to the capacity of the meanest, and there are shallows in them learned, and there are depths in it in which an elephant may swim. But, when the meaning is found out, it will be of admirable use to excite pious and devout affections in us; and the same truths which are plainly laid down in other scriptures when they are extracted out of this come to the soul with a more pleasing power. When we apply ourselves to the study of this book we must not only, with Moses and Joshua, put off our shoe from off our foot, and even forget that we have bodies, because the place where we stand is holy ground, but we must, with John, come up hither, must spread our wings, take a noble flight, and soar upwards, till by faith and holy love we enter into the holiest, for this is no other than the house of God and this is the gate of heaven. In this chapter, after the title of the book ( ver. 1 ), we have Christ and his church, Christ and a believer, expressing their esteem for each other. I. The bride, the church, speaks to the bridegroom ( ver. 2-4 ), to the daughters of Jerusalem ( ver. 5, 6 ), and then to the bridegroom, ver. 7 . II. Christ, the bridegroom, speaks in answer to the complaints and requests of his spouse, ver. 8-11 . III. The church expresses the great value she has for Christ, and the delights she takes in communion with him, ver. 12-14 . IV. Christ commends the church's beauty, ver. 15 . V. The church returns the commendation, ver. 16, 17 . Where there is a fire of true love to Christ in the heart this will be of use to blow it up into a flame. The Title of the Book. 1 The song of songs, which is Solomon's. We have here the title of this book, showing, 1. The nature of it; it is a song, that it might the better answer the intention, which is to stir up the affections and to heat them, which poetry will be very instrumental to do. The subject is pleasing, and therefore fit to be treated of in a song, in singing which we may make melody with our hearts unto the Lord. It is evangelical; and gospel-times should be times of joy, for gospel-grace puts a new song into our mouths, Ps. xcviii. 1 . 2. The dignity of it; it is the song of songs, a most excellent song, not only above any human composition, or above all other songs which Solomon penned, but even above any other of the scripture-songs, as having more of Christ in it. 3. The penman of it; it is Solomon's. It is not the song of fools, as many of the songs of love are, but the song of the wisest of men; nor can any man give a better proof of his wisdom than to celebrate the love of God to mankind and to excite his own love to God and that of others with it. Solomon's songs were a thousand and five ( 1 Kings iv. 32 ); those that were of other subjects are lost, but this of seraphic love remains, and will to the end of time. Solomon, like his father, was addicted to poetry, and, which way soever a man's genius lies, he should endeavor to honour God and edify the church with it. One of Solomon's names was Jedidiah — beloved of the Lord ( 2 Sam. xii. 25 ); and none so fit to write of the Lord's love as he that had himself so great an interest in it; none of all the apostles wrote so much of love as he that was himself the beloved disciple and lay in Christ's bosom. Solomon, as a king, had great affairs to mind and manage, which took up much of his thoughts and time, yet he found heart and leisure for this and other religious exercises. Men of business ought to be devout men, and not to think that business will excuse them from that which is every man's great business—to keep up communion with God. It is not certain when Solomon penned this sacred song. Some think that he penned it after he recovered himself by the grace of God from his backslidings, as a further proof of his repentance, and as if by doing good to many with this song he would atone for the hurt he had perhaps done with loose, vain, amorous songs, when he loved many strange wives; now he turned his wit the right way. It is more probable that he penned it in the beginning of his time, while he kept close to God and kept up his communion with him; and perhaps he put this song, with his father's psalms, into the hands of the chief musician, for the service of the temple, not without a key to it, for the right understanding of it. Some think that it was penned upon occasion of his marriage with Pharaoh's daughter, but that is uncertain; the tower of Lebanon, which is mentioned in this book ( ch. vii. 4 ), was not built, as is supposed, till long after the marriage. We may reasonably think that when in the height of his prosperity he loved the Lord ( 1 Kings iii. 3 ) he thus served him with joyfulness and gladness of heart in the abundance of all things. It may be rendered, The song of songs, which is concerning Solomon, who as the son and successor of David, on whom the covenant of royalty was entailed, as the founder of the temple, and as one that excelled in wisdom and wealth, was a type of Christ, in whom are hidden all the treasures of wisdom and knowledge, and yet is a greater than Solomon; this is therefore a song concerning him. It is here fitly placed after Ecclesiastes; for when by the book we are thoroughly convinced of the vanity of the creature, and its insufficiency to satisfy us and make a happiness for us, we shall be quickened to seek for happiness in the love of Christ, and that true transcendent pleasure which is to be found only in communion with God through him. The voice in the wilderness, that was to prepare Christ's way, cried, All flesh is grass.
John WesleyJohn Wesley's Explanatory Notes · 1754
The song - The most excellent of all songs. And so this might well be called, whether you consider the author of it, who was a great prince, and the wisest of all mortal men; or the subject of it, which is not Solomon, but a greater than Solomon, even Christ, and his marriage with the church; or the matter of it, which is most lofty, containing in it the noblest of all the mysteries contained either in the Old or the New Testament; most pious and pathetical, breathing forth the hottest flames of love between Christ and his people, most sweet and comfortable, and useful to all that read it with serious and Christian eyes.
John WesleyJohn Wesley's Explanatory Notes · 1754
Let him - The beginning is abrupt; but is suitable to, and usual in writing of this nature, wherein things are not related in an historical and exquisite order, but that which was first done is brought in, as it were accidentally, after many other passages: as we see in Homer, and Virgil, and others. These are the words of the spouse, wherein she breathes forth her passionate love to the bridegroom, whom she does not name; because it was needless, as being so well known to the persons, to whom she speaks, and being the only person who was continually in her thoughts. By kisses, the usual tokens of love and good - will, she means the communications of his love and favour, his graces and comforts breathed into her from the Spirit of Christ. Thy love - This sudden change of the person is frequent, in pathetic discourses. First she speaks of him as absent, but speedily grows into more acquaintance with him, and by ardent desire and faith, embraces him as present. Wine - Than the most delicious meat or drink, or than all sensible delights, one kind being put for all.
Matthew HenryMatthew Henry's Complete Commentary · 1714
The Love of the Church to Christ. 2 Let him kiss me with the kisses of his mouth: for thy love is better than wine. 3 Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee. 4 Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee. 5 I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon. 6 Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept. The spouse, in this dramatic poem, is here first introduced addressing herself to the bridegroom and then to the daughters of Jerusalem. I. To the bridegroom, not giving him any name or title, but beginning abruptly: Let him kiss me; like Mary Magdalen to the supposed gardener ( John xx. 15 ), If thou have borne him hence, meaning Christ, but not naming him. The heart has been before taken up with the thoughts of him, and to this relative those thoughts were the antecedent, that good matter which the heart was inditing, Ps. xlv. 1 . Those that are full of Christ themselves are ready to think that others should be so too. Two things the spouse desires, and pleases herself with the thoughts of:— 1. The bridegroom's friendship ( v. 2 ): " Let him kiss me with the kisses of his mouth, that is, be reconciled to me, and let me know that he is so; let me have the token of his favour." Thus the Old-Testament church desired Christ's manifesting himself in the flesh, to be no longer under the law as a schoolmaster, under a dispensation of bondage and terror, but to receive the communications of divine grace in the gospel, in which God is reconciling the world unto himself, binding up and healing what by the law was torn and smitten; as the mother kisses the child that she has chidden. "Let him no longer send to me, but come himself, no longer speak by angels and prophets, but let me have the word of his own mouth, those gracious words ( Luke iv. 22 ), which will be to me as the kisses of the mouth, sure tokens of reconciliation, as Esau's kissing Jacob was." All gospel duty is summed up in our kissing the Son ( Ps. ii. 12 ); so all gospel-grace is summed up in his kissing us, as the father of the prodigal kissed him when he returned a penitent. It is a kiss of peace. Kisses are opposed to wounds ( Prov. xxvii. 6 ), so are the kisses of grace to the wounds of the law. Thus all true believers earnestly desire the manifestations of Christ's love to their souls; they desire no more to make them happy than the assurance of his favour, the lifting up of the light of his countenance upon them ( Ps. iv. 6, 7 ), and the knowledge of that love of his which surpasses knowledge; this is the one thing they desire, Ps. xxvii. 4 . They are ready to welcome the manifestation of Christ's love to their souls by his Spirit, and to return them in the humble professions of love to him and complacency in him, above all. The fruit of his lips is peace, Isa. lvii. 19 . "Let him give me ten thousand kisses whose very fruition makes me desire him more, and, whereas all other pleasures sour and wither by using, those of the Spirit become more delightful." So bishop Reynolds. She gives several reasons for this desire. (1.) Because of the great esteem she has for his love: Thy love is better than wine. Wine makes glad the heart, revives the drooping spirits, and exhilarates them, but gracious souls take more pleasure in loving Christ and being beloved of him, in the fruits and gifts of his love and in the pledges and assurances of it, than any man ever took in the most exquisite delights of sense, and it is more reviving to them than ever the richest cordial was to one ready to faint. Note, [1.] Christ's love is in itself, and in the account of all the saints, more valuable and desirable than the best entertainments this world can give. [2.] Those only may expect the kisses of Christ's mouth, and the comfortable tokens of his favour, who prefer his love before all delights of the children of men, who would rather forego those delights than forfeit his favour, and take more pleasure in spiritual joys than in any bodily refreshments whatsoever. Observe here the change of the person: Let him kiss me; there she speaks of him as absent, or as if she were afraid to speak to him; but, in the next words, she sees him near at hand, and therefore directs her speech to him: " Thy love, thy loves " (so the word is), "I so earnestly desire, because I highly esteem it." (2.) Because of the diffuse fragrancy of his love and the fruits of it ( v. 3 ): " Because of the savour of thy good ointment (the agreeableness and acceptableness of thy graces and comforts to all that rightly understand both them and themselves), thy name is as ointment poured forth, thou art so, and all that whereby thou hast made thyself known; thy very name is precious to all the saints; it is an ointment and perfume which rejoice the heart." The unfolding of Christ's name is as the opening of a box of precious ointment, which the room is filled with the odour of. The preaching of his gospel was the manifesting the savour of his knowledge in every place, 2 Cor. ii. 14 . The Spirit was the oil of gladness wherewith Christ was anointed ( Heb. i. 9 ), and all true believers have that unction ( 1 John ii. 27 ), so that he is precious to them, and they to him and to one another. A good name is as precious ointment, but Christ's name is more fragrant than any other. Wisdom, like oil, makes the face to shine; but the Redeemer outshines, in beauty, all others. The name of Christ is not now like ointment sealed up, as it had been long ( Ask not after my name, for it is secret ), but like ointment poured forth, which denotes both the freeness and fulness of the communications of his grace by the gospel. (3.) Because of the general affection that all holy souls have to him: Therefore do the virgins love thee. It is Christ's love shed abroad in our hearts that draws them out in love to him; all that are pure from the corruptions of sin, that preserve the chastity of their own spirits, and are true to the vows by which they have devoted themselves to God, that not only suffer not their affections to be violated but cannot bear so much as to be solicited by the world and the flesh, those are the virgins that love Jesus Christ and follow him whithersoever he goes, Rev. xiv. 4 . And, because Christ is the darling of all the pure in heart, let him be ours, and let our desires be towards him and towards the kisses of his mouth. 2. The bridegroom's fellowship, v. 4 . Observe here, (1.) Her petition for divine grace: Draw me. This implies sense of distance from him, desire of union with him. "Draw me to thyself, draw me nearer, draw me home to thee." She had prayed that he would draw nigh to her ( v. 2 ); in order to that, she prays that he would draw her nigh to him. " Draw me, not only with the moral suasion which there is in the fragrancy of the good ointments, not only with the attractives of that name which is as ointment poured forth, but with supernatural grace, with the cords of a man and the bands of love, " Hos. xi. 4 . Christ has told us that none come to him but such as the Father draws, John vi. 44 . We are not only weak, and cannot come of ourselves any further than we are helped, but we are naturally backward and averse to come, and therefore must pray for those influences and operations of the Spirit, by the power of which we are unwilling made willing, Ps. cx. 3 . " Draw me, else I move not; overpower the world and the flesh that would draw me from thee." We are not driven to Christ, but drawn in such a way as is agreeable to rational creatures. (2.) Her promise to improve that grace: Draw me, and then we will run after thee. See how the doctrine of special and effectual grace consists with our duty, and is a powerful engagement and encouragement to it, and yet reserves all the glory of all the good that is in us to God only. Observe, [1.] The flowing forth of the soul after Christ, and its ready compliance with him, are the effect of his grace; we could not run after him if he did not draw us, 2 Cor. iii. 5 ; Phil. iv. 13 . [2.] The grace which God gives us we must diligently improve. When Christ by his Spirit draws us we must with our spirits run after him. As God says, I will, and you shall ( Ezek. xxxvi. 27 ), so we must say, " Thou shalt and we will; thou shalt work in us both to will and to do, and therefore we will work out our own salvation" ( Phil. ii. 12, 13 ); not only we will walk, but we will run after thee, which denotes eagerness of desire, readiness of affection, vigour of pursuit, and swiftness of motion. When thou shalt enlarge my heart then I will run the way of thy commandments ( Ps. cxix. 32 ); when thy right hand upholds me then my soul follows hard after thee ( Ps. lxiii. 8 ); when with lovingkindness to us he draws us ( Jer. xxxi. 3 ) we with lovingkindness to him must run after him, Isa. xl. 31 . Observe the difference between the petition and the promise: "Draw me, and then we will run." When Christ pours out his Spirit upon the church in general, which is his bride, all the members of it do thence receive enlivening quickening influences, and are made to run to him with the more cheerfulness, Isa. lv. 5 . Or, "Draw me" (says the believing soul) "and then I will not only follow thee myself as fast as I can, but will bring all mine along with me: We will run after thee, I and the virgins that love thee ( v. 3 ), I and all that I have any interest in or influence upon, I and my house ( Josh. xxiv. 15 ), I and the transgressors whom I will teach thy ways, " Ps. li. 13 . Those that put themselves forth, in compliance with divine grace, shall find that their zeal will provoke many, 2 Cor. ix. 2 . Those that are lively will be active; when Philip was drawn to Christ he drew Nathanael; and they will be exemplary, and so will win those that would not be won by the word. (3.) The immediate answer that was given to this prayer: The King has drawn me, has brought me into his chambers. It is not so much an answer fetched by faith from the world of Christ's grace as an answer fetched by experience from the workings of his grace. If we observe, as we ought, the returns of prayer, we may find that sometimes, while we are yet speaking, Christ hears, Isa. lxv. 24 . The bridegroom is a king; so much the more wonderful is his condescension in the invitations and entertainments that he gives us, and so much the greater reason have we to accept of them and to run after him. God is the King that has made the marriage-supper for his Son ( Matt. xxii. 2 ) and brings in even the poor and the maimed, and even the most shy and bashful are compelled to come in. Those that are drawn to Christ are brought, not only into his courts, into his palaces ( Ps. xlv. 15 ), but into his presence-chamber, where his secret is with them ( John xiv. 21 ), and where they are safe in his pavilion, Ps. xxvii. 5 ; Isa. xxvi. 20 . Those that wait at wisdom's gates shall be made to come (so the word is) into her chambers; they shall be led into truth and comfort. (4.) The wonderful complacency which the spouse takes in the honour which the king put upon her. Being brought into the chamber, [1.] "We have what we would have. Our desires are crowned with unspeakable delights; all our griefs vanish, and we will be glad and rejoice. If a day in the courts, much more an hour in the chambers, is better than a thousand, than ten thousand, elsewhere." Those that are, through grace, brought into covenant and communion with God, have reason to go on their way rejoicing, as the eunuch ( Acts viii. 39 ), and that joy will enlarge our hearts and be our strength, Neh. viii. 10 . [2.] All our joy shall centre in God: " We will rejoice, not in the ointments, or the chambers, but in thee. It is God only that is our exceeding joy, Ps. xliii. 4 . We have no joy but in Christ, and which we are indebted to him for." Gaudium in Domino — Joy in the Lord, was the ancient salutation, and Salus in Domino sempiterna — Eternal salvation in the Lord. [3.] "We will retain the relish and savour of this kindness of thine and never forget it: We will remember thy loves more than wine; no only thy love itself ( v. 2 ), but the very remembrance of it shall be more grateful to us than the strongest cordial to the spirits, or the most palatable liquor to the taste. We will remember to give thanks for thy love, and it shall make more durable impressions upon us than any thing in this world." (5.) The communion which a gracious soul has with all the saints in this communion with Christ. In the chambers to which we are brought we not only meet with him, but meet with one another ( 1 John i. 7 ); for the upright love thee; the congregation, the generation, of the upright love thee. Whatever others do, all that are Israelites indeed, and faithful to God, will love Jesus Christ. Whatever differences of apprehension and affection there may be among Christians in other things, this they are all agreed in, Jesus Christ is precious to them. The upright here are the same with the virgins, v. 3 . All that remember his love more than wine will love him with a superlative love. Nor is any love acceptable to Christ but the love of the upright, love in sincerity, Eph. vi. 24 . II. To the daughters of Jerusalem, v. 5, 6 . The church in general, being in distress, speaks to particular churches to guard them against the danger they were in of being offended at the church's sufferings, 1 Thess. iii. 3 . Or the believer speaks to those that were professors at large in the church, but not of it, or to weak Christians, babes in Christ, that labour under much ignorance, infirmity, and mistake, not perfectly instructed, and yet willing to be taught in the things of God. She observed these by-standers look disdainfully upon her because of her blackness, in respect both of sins and sufferings, upon the account of which they though she had little reason to expect the kisses she wished for ( v. 2 ) or to expect that they should join with her in her joys, v. 4 . She therefore endeavors to remove this offence; she owns she is black. Guilt blackens; the heresies, scandals, and offences, that happen in the church, make her black; and the best saints have their failings. Sorrow blackens; that seems to be especially meant; the church is often in a low condition, mean, and poor, and in appearance despicable, her beauty sullied and her face foul with weeping; she is in mourning weeds, clothed with sackcloth, as the Nazarites that had become blacker than a coal, Lam. iv. 8 . Now, to take off this offence, 1. She asserts her own comeliness notwithstanding ( v. 5 ): I am black, but comely, black as the tents of Kedar, in which the shepherds lived, which were very coarse, and never whitened, weather-beaten and discoloured by long use, but comely as the curtains of Solomon, the furniture of whose rooms, no doubt, was sumptuous and rich, in proportion to the stateliness of his houses. The church is sometimes black with persecution, but comely in patience, constancy, and consolation, and never the less amiable in the eyes of Christ, black in the account of men, but comely in God's esteem, black in some that are a scandal to her, but comely in others that are sincere and are an honour to her. True believers are black in themselves, but comely in Christ, with the comeliness that he puts upon them, black outwardly, for the world knows them not, but all glorious within, Ps. xlv. 13 . St. Paul was weak, and yet strong, 2 Cor. xii. 10 . And so the church is black and yet comely; a believer is a sinner and yet a saint; his own righteousnesses are as filthy rags, but he is clothed with the robe of Christ's righteousness. The Chaldee Paraphrase applies it to the people of Israel's blackness when they made the golden calf and their comeliness when they repented of it. 2. She gives an account how she came to be so black. The blackness was not natural, but contracted, and was owing to the hard usage that had been given her: Look not upon me so scornfully because I am black. We must take heed with what eye we look upon the church, especially when she is in black. Thou shouldst not have looked upon the day of thy brother, the day of his affliction, Obad. 12 . Be not offended; for, (1.) I am black by reason of my sufferings: The sun has looked upon me. She was fair and comely; whiteness was her proper colour; but she got this blackness by the burden and heat of the day, which she was forced to bear. She was sun-burnt, scorched with tribulation and persecution ( Matt. xiii. 6 , 21 ); and the greatest beauties, if exposed to the weather, are soonest tanned. Observe how she mitigates her troubles; she does not say, as Jacob ( Gen. xxxi. 40 ), In the day the drought consumed me, but, The sun has looked upon me; for it becomes not God's suffering people to make the worst of their sufferings. But what was the matter? [1.] She fell under the displeasure of those of her own house: My mother's children were angry with me. She was in perils by false brethren; her foes were those of her own house ( Matt. x. 36 ), brethren by nature as men, by profession as members of the same sacred corporation, the children of the church her mother, but not of God her Father; they were angry with her. The Samaritans, who claimed kindred to the Jews, were vexed at any thing that tended to the prosperity of Jerusalem, Neh. ii. 10 . Note, It is no new thing for the people of God to fall under the anger of their own mother's children. It was thou, a man, my equal, Ps. lv. 12, 13 . This makes the trouble the more irksome and grievous; from such it is taken unkindly, and the anger of such is implacable. A brother offended is hard to be won. [2.] They dealt very hardly with her: They made me the keeper of the vineyards, that is, First, "They seduced me to sin, drew me into false worships, to serve their gods, which was like dressing the vineyards, keeping the vine of Sodom; and they would not let me keep my own vineyard, serve my own God, and observe those pure worships which he gave me in charge, and which I do and ever will own for mine." These are grievances which good people complain most of in a time of persecution, that their consciences are forced, and that those who rule them with rigour say to their souls, Bow down, that we may go over, Isa. li. 23 . Or, Secondly, "They brought me into trouble, imposed that upon me which was toilsome, and burdensome, and very disgraceful." Keeping the vineyards was base servile work, and very laborious, Isa. lxi. 5 . Her mother's children made her the drudge of the family. Cursed be their anger, for it was fierce, and their wrath, for it was cruel. The spouse of Christ has met with a great deal of hard usage. (2.) "My sufferings are such as I have deserved; for my own vineyard have I not kept. How unrighteous soever my brethren are in persecuting me, God is righteous in permitting them to do so. I am justly made a slavish keeper of men's vineyards, because I have been a careless keeper of the vineyards God has entrusted me with." Slothful servants of God are justly made to serve their enemies, that they may know his service, and the service of the kings of the countries, 2 Chron. xii. 8 ; Deut. xxviii. 47, 48 ; Ezek. xx. 23, 24 . "Think not the worse of the ways of God for my sufferings, for I smart for my own folly." Note, When God's people are oppressed and persecuted it becomes them to acknowledge their own sin to be the procuring cause of their troubles, especially their carelessness in keeping their vineyards, so that it has been like the field of the slothful.
John WesleyJohn Wesley's Explanatory Notes · 1754
Ointments - Because of those excellent gifts and graces of God's Spirit wherewith thou art replenished. Thy name - Thy report, the very mention of thee, and all those things by which thou makest thyself known to men, thy word, particularly thine offers of pardon and salvation to sinners; and all thy works, especially that great work of redemption is most acceptable, and refreshing. The virgins - called the companions of the bride, Psal 45:14 , particular believers, who are called virgins, 2Cor 11:2 Rev 14:4 , who have their senses exercised to perceive this sweetness and fulness of Christ.
John WesleyJohn Wesley's Explanatory Notes · 1754
Draw me - By thy grace and holy spirit. We - Both I, thy spouse, and the virgins, my companions. And this change of numbers teaches us that the spouse is one great body, consisting of many members. Run - Will follow thee readily, chearfully, and swiftly. The king - Christ, the king of his church, hath answered my prayer. Chambers - Where I may freely converse with him, and enjoy him. He hath taken me into intimate communion with himself. Remember - This shall be the matter of our thoughts and discourses.
John WesleyJohn Wesley's Explanatory Notes · 1754
Black - I confess, as to myself, I am contemptible and deformed. She alludes to the complexion of Pharaoh's daughter. Comely - Yet I am glorious within, and comely through the beauty which my husband hath put upon me, by his graces conferred upon me, in justification and sanctification. Daughters - By which she understands particular believers, whose mother, Jerusalem is called, Gal 4:26 . The tents - Of the wild Arabians, the posterity of Kedar, Gen 25:13 , who dwelt in tents, and were black and uncomely. The curtains - As the hangings wherewith Solomon's house was furnished, which none can doubt were most beautiful and glorious. So these two last clauses answer to the two first, and that in the same order in which they lie.
John WesleyJohn Wesley's Explanatory Notes · 1754
Look not - With wonder and disdain. Mother's children - False brethren, who pretend that the church is their mother, when their actions demonstrate, that God, the husband of the church, is not their father; hypocritial professors, who are, and ever were, the keenest enemies; false teachers, and their followers, who by their corrupt doctrines, and divisions, and contentions, bring great mischief to the church. Made me - Having prevailed against me, they used me like a slave, putting me upon the most troublesome services, such as the keeping of the vineyards was esteemed, 2Kings 25:12 Isa 61:5 Matt 20:1 - 7. Not kept - They gave me such a full employment in the drudging work about their vineyards, that they left me no time to mind my own; they hindered me from doing my own duty, and from minding my own concerns. And therefore it is no wonder if I be uncomely and scorched by the sun.
Matthew HenryMatthew Henry's Complete Commentary · 1714
The Love of the Church to Christ. 7 Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions? 8 If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds' tents. 9 I have compared thee, O my love, to a company of horses in Pharaoh's chariots. 10 Thy cheeks are comely with rows of jewels, thy neck with chains of gold. 11 We will make thee borders of gold with studs of silver. Here is, I. The humble petition which the spouse presents to her beloved, the shepherdess to the shepherd, the church and every believer to Christ, for a more free and intimate communion with him. She turns from the daughters of Jerusalem, to whom she had complained both of her sins and of her troubles, and looks up to heaven for relief and succour against both, v. 7 . Here observe, 1. The title she gives to Christ: O thou whom my soul loveth. Note, It is the undoubted character of all true believers that their souls love Jesus Christ, which intimates both the sincerity and the strength of their love; they love him with all their hearts; and those that do so may come to him boldly and may humbly plead it with him. 2. The opinion she has of him as the good shepherd of the sheep; she doubts not but he feeds his flock and makes them rest at noon. Jesus Christ graciously provides both repast and repose for his sheep; they are not starved, but well fed, not scattered upon the mountains, but fed together, fed in green pastures and in the hot time of the day led by the still waters and made to lie down under a cool refreshing shade. Is it with God's people a noon-time of outward troubles, inward conflicts? Christ has rest for them; he carries them in his arms, Isa. xl. 11 . 3. Her request to him that she might be admitted into his society: Tell me where thou feedest. Those that would be told, that would be taught, what they are concerned to know and do, must apply to Jesus Christ, and beg of him to teach them, to tell them. "Tell me where to find thee, where I may have conversation with thee, where thou feedest and tendest thy flock, that there I may have some of my company." Observe, by the way, We should not, in love to our friends and their company, tempt them or urge them to neglect their business, but desire such an enjoyment of them as will consist with it, and rather, if we can, to join with them in their business and help to forward it. " Tell me where thou feedest, and there I will sit with thee, walk with thee, feed my flocks with thine, and not hinder thee nor myself, but bring my work with me." Note, Those whose souls love Jesus Christ earnestly desire to have communion with him, by his word in which he speaks to us and by prayer in which we speak to him, and to share in the privileges of his flock; and we may learn from the care he takes of his church, to provide convenient food and rest for it, how to take care of our own souls, which are our charge. 4. The plea she uses for the enforcing of this request: " For why should I be as one that turns aside by (or after) the flocks of thy companions, that pretend to be so, but are really thy competitors, and rivals with thee." Note, Turning aside from Christ after other lovers is that which gracious souls dread, and deprecate, more than any thing else. "Thou wouldst not have me to turn aside, no, nor to be as one that turns aside; tell me then, O tell me, where I may be near thee, and I will never leave thee." (1.) " Why should I lie under suspicion, and look as if I belonged to some other and not to thee? Why should I be thought by the flocks of our companions to be a deserter from thee, and a retainer to some other shepherd?" Good Christians will be afraid of giving any occasion to those about them to question their faith in Christ and their love to him; they would not do any thing that looks like unconcernedness about their souls; or uncharitableness towards their brethren, or that savours of indifference and disaffection to holy ordinances; and we should pray to God to direct us into and keep us in the way of our duty, that we may not so much as seem to come short, Heb. iv. 1 . (2.) " Why should I lie in temptation to turn aside, as I do while I am absent from thee?" We should be earnest with God for a settled peace in communion with God through Christ, that we may not be as waifs and strays, ready to be picked up by him that next passes by. II. The gracious answer which the bridegroom gives to this request, v. 8 . See how ready God is to answer prayer, especially prayers for instruction; even while she is yet speaking, he hears. Observe, 1. How affectionately he speaks to her: O thou fairest among women! Note, Believing souls are fair, in the eyes of the Lord Jesus, above any other. Christ sees a beauty in holiness, whether we do or no. The spouse has called herself black, but Christ calls her fair. Those that are low in their own eyes are so much the more amiable in the eyes of Jesus Christ. Blushing at their own deformity (says Mr. Durham) is a chief part of their beauty. 2. How mildly he checks her for her ignorance, in these words, If thou know not, intimating that she might have known it if it had not been her own fault. What! dost thou not know where to find me and my flock? Compare Christ's answer to a like address of Philip's ( John xiv. 9 ), Have I been so long time with you, and yet hast thou not known me, Philip? But, 3. With what tenderness he acquaints her where she might find him. If men say, Lo, here is Christ, or, Lo, he is there, believe them not, go not after them, Matt. xxiv. 23 , 26 . But, (1.) Walk in the way of good men ( Prov. ii. 20 ), follow the track, ask for the good old way, observe the footsteps of the flock, and go forth by them. It will not serve to sit still and cry, "Lord, show me the way," but we must bestir ourselves to enquire out the way; and we may find it by looking which way the footsteps of the flock lead, what has been the practice of godly people all along; let that practice be ours, Heb. vi. 12 ; 1 Cor. xi. 1 . (2.) Sit under the direction of good ministers: " Feed thyself and thy kids besides the tents of the under-shepherds. Bring thy charge with thee" (it is probable that the custom was to commit the lambs and kids to the custody of the women, the shepherdesses); "they shall all be welcome; the shepherds will be no hindrance to thee, as they were to Reuel's daughters ( Exod. ii. 17 ), but helpers rather, and therefore abide by their tents." Note, Those that would have acquaintance and communion with Christ must closely and conscientiously adhere to holy ordinances, must join themselves to his people and attend his ministers. Those that have the charge of families must bring them with them to religious assemblies; let their kids, their children, their servants, have the benefit of the shepherds' tents. III. The high encomiums which the bridegroom gives of his spouse. To be given in marriage, in the Hebrew dialect, is to be praised ( Ps. lxxviii. 63 , margin), so this spouse is here; her husband praises this virtuous woman ( Prov. xxxi. 28 ); he praises her, as is usual in poems, by similitudes. 1. He calls her his love ( v. 9 ); it is an endearing compellation often used in this book: "My friend, my companion, my familiar." 2. He compares her to a set of strong and stately horses in Pharaoh's chariots. Egypt was famous for the best horses. Solomon had his thence; and Pharaoh, no doubt, had the choicest the country afforded for his own chariots. The church had complained of her own weakness, and the danger she was in of being made a prey of by her enemies: "Fear not," says Christ; " I have made thee like a company of horses; I have put strength into thee as I have done into the horse ( Job xxxix. 19 ), so that thou shalt with a gracious boldness mock at fear, and not be affrighted, like the lion, Prov. xxviii. 1 . The Lord has made thee as his goodly horse in the day of battle, Zech. x. 3 . I have compared thee to my company of horses which triumphed over Pharaoh's chariots, the holy angels, horses of fire. " Hab. iii. 15 , Thou didst walk through the sea with thy horses; and see Isa. lxiii. 13 . We are weak in ourselves, but if Christ make us as horses, strong and bold, we need not fear what all the powers of darkness can do against us. 3. He admires the beauty and ornaments of her countenance ( v. 10 ): Thy cheeks are comely with rows of jewels, the attire of the head, curls of hair, or favourites (so some), or knots of ribbons; thy neck also with chains, such as persons of the first rank wear, chains of gold. The ordinances of Christ are the ornaments of the church. The graces, gifts, and comforts of the Spirit, are the adorning of every believing soul, and beautify it; these render it, in the sight of God, of great price. The ornaments of the saints are many, but all orderly disposed in rows and chains, in which there is a mutual connexion with and dependence upon each other. The beauty is not from any thing in themselves, from the neck or from the cheeks, but from ornaments with which they are set off. It was comeliness which I put upon thee, said the Lord God; for we were born not only naked, but polluted, Ezek. xvi. 14 . IV. His gracious purpose to add to her ornaments; for where God has given true grace he will give more grace; to him that has shall be given. Is the church courageous in her resistance of sin, as the horses in Pharaoh's chariots? Is she comely in the exercise of grace, as with rows of jewels and chains of gold? She shall be yet further beautified ( v. 11 ): We will make thee borders of gold, inlaid, or enamelled, with studs of silver. Whatever is wanting shall be made up, till the church and every true believer come to be perfect in beauty; see Ezek. xvi. 14 . This is here undertaken to be done by the concurring power of the three persons in the Godhead: We will do it; like that ( Gen. i. 26 ), " Let us make man; so let us new-make him, and perfect his beauty." The same that is the author will be the finisher of the good work; and it cannot miscarry.
John WesleyJohn Wesley's Explanatory Notes · 1754
Tell me - Notwithstanding all these discouragements and afflictions which I suffer for thy sake, and for my love to thee. Being reproached and persecuted by others, I flee to thee, O my only refuge and joy. Feedest - Thy flock, discover to me which is thy true church, and which are those assemblies and people where thou art present. This is the request of particular believers. At noon - In the heat of the day, when the shepherds in those hot countries used to lead their flocks into shady places. Whereby he means the time of persecution, when it is hard to discover the true church, because she is deformed by it, and because she is obscured and driven into the wilderness. That turneth - Or, a wanderer, or vagabond; like a neglected and forlorn creature exposed both to censure and danger. The flocks - The assemblies of corrupt teachers and worshippers. These he calls Christ's companions because they profess the name of Christ, and their conjunction with him in God's worship.
John WesleyJohn Wesley's Explanatory Notes · 1754
Compared thee - For strength and courage, to overcome all thine enemies. For horses are famous for that property, and the strength of the battle was then thought to consist much in horses, and chariots, especially in a company or multitude of them. And the church in this book is represented not only as fair and beautiful, but also as terrible to her enemies.
John WesleyJohn Wesley's Explanatory Notes · 1754
Jewels - Which being fastened to the heads of brides, used to hang down upon their cheeks, in those times. He mentions the cheeks, as the chief seat of beauty. Chains - Whereby, as well as by the rows of jewels: he may seem to design all those persons and things wherewith the church is made beautiful in the eyes of God, and of men, such as excellent ministers, and saints, righteous laws, holy ordinances, and the gifts and graces of God's spirit.
John WesleyJohn Wesley's Explanatory Notes · 1754
We - I and my father. Will make - Beautiful and honourable ornaments.
John WesleyJohn Wesley's Explanatory Notes · 1754
The king - My royal husband. Sitteth - With me in his ordinances. Spikenard - The graces of his spirit conferred upon me, here compared to those sweet ointments, which the master of the feast caused to be poured out upon the heads of the guests, Luke 7:38 , in which ointments, spikenard was a chief ingredient. Sendeth - This denotes the exercise and manifestation of her graces, which is a sweet smelling savour in the nostrils of her husband, and of her companies.
Matthew HenryMatthew Henry's Complete Commentary · 1714
Conference between Christ and His Church. 12 While the king sitteth at his table, my spikenard sendeth forth the smell thereof. 13 A bundle of myrrh is my wellbeloved unto me; he shall lie all night betwixt my breasts. 14 My beloved is unto me as a cluster of camphire in the vineyards of Engedi. 15 Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes. 16 Behold, thou art fair, my beloved, yea, pleasant: also our bed is green. 17 The beams of our house are cedar, and our rafters of fir. Here the conference is carried on between Christ and his spouse, and endearments are mutually exchanged. I. Believers take a great complacency in Christ, and in communion with him. To you that believe he is precious, above any thing in this world, 1 Pet. ii. 7 . Observe, 1. The humble reverence believers have for Christ as their Sovereign, v. 12 . He is a King in respect both of dignity and dominion; he wears the crown of honour, he bears the sceptre of power, both which are the unspeakable satisfaction of all his people. This King has his royal table spread in the gospel, in which is made for all nations a feast of fat things, Isa. xxv. 6 . Wisdom has furnished her table, Prov. ix. 1 . He sits at this table to see his guests ( Matt. xxii. 11 ), to see that nothing be wanting that is fit for them; he sups with them and they with him ( Rev. iii. 20 ); he has fellowship with them and rejoices in them; he sits at his table to bid them welcome, and to carve for them, as Christ broke the five loaves and gave to his disciples, that they might distribute to the multitude. He sits there to receive petitions, as Ahasuerus admitted Esther's petition at the banquet of wine. He has promised to be present with his people in his ordinances always. Then believers do him all the honour they can, and study how to express their esteem of him and gratitude to him, as Mary did when she anointed his head with the ointment of spikenard that was very costly, one pound of it worth three hundred pence, and so fragrant that the house was filled with the pleasing odour of it ( John xii. 3 ), which story seems as if it were designed to refer to this passage, for Christ was then sitting at table. When good Christians, in any religious duty, especially in the ordinance of the Lord's supper, where the King is pleased, as it were, to sit with us at his own table, have their graces exercised, their hearts broken by repentance, healed by faith, and inflamed with holy love and desires toward Christ, with joyful expectations of the glory to be revealed, then the spikenard sends forth the smell thereof. Christ is pleased to reckon himself honoured by it, and to accept of it as an instance of respect to him, as it was in the wise men of the east, who paid their homage to the new-born King of the Jews by presenting to him frankincense and myrrh. The graces of God's Spirit in the hearts of believers are exceedingly precious in themselves and pleasing to Christ, and his presence in ordinances draws them out into act and exercise. If he withdraw, graces wither and languish, as plants in the absence of the sun; if he approach, the face of the soul is renewed, as of the earth in the spring; and then it is time to bestir ourselves, that we may not lose the gleam, not lose the gale; for nothing is done acceptably but what grace does, Heb. xii. 28 . 2. The strong affection they have for Christ as their beloved, their well-beloved, v. 13 . Christ is not only beloved by all believing souls, but is their well-beloved, their best-beloved, their only beloved; he has that place in their hearts which no rival can be admitted to, the innermost and uppermost place. Observe, (1.) How Christ is accounted of by all believers: He is a bundle of myrrh and a cluster of camphire, something, we may be sure, nay, every thing, that is pleasant and delightful. The doctrine of his gospel, and the comforts of his Spirit, are very refreshing to them, and they rest in his love; none of all the delights of sense are comparable to the spiritual pleasure they have in meditating on Christ and enjoying him. There is a complicated sweetness in Christ and an abundance of it; there is a bundle of myrrh and a cluster of camphire. We are not straitened in him whom there is all fulness. The word translated camphire is copher, the same word that signifies atonement or propitiation. Christ is a cluster of merit and righteousness to all believers; therefore he is dear to them because he is the propitiation for their sins. Observe what stress the spouse lays upon the application: He is unto me, and again unto me, all that is sweet; whatever he is to others, he is so to me. He loved me, and gave himself for me. He is my Lord, and my God. (2.) How he is accepted: He shall lie all night between my breasts, near my heart. Christ lays the beloved disciples in his bosom; why then should not they lay their beloved Saviour in their bosoms? Why should not they embrace him with both arms, and hold him fast, with a resolution never to let him go? Christ must dwell in the heart ( Eph. iii. 17 ), and, in order to that, the adulteries must be put from between the breasts ( Hos. ii. 2 ), no pretender must have his place in the soul. He shall be as a bundle of myrrh, or perfume bag, between my breasts, always sweet to me; or his effigies in miniature, his love-tokens, shall be hung between my breasts, according to the custom of those that are dear to each other. He shall not only be laid their for a while, but shall lie there, shall abide there. II. Jesus Christ has a great complacency in his church and in every true believer; they are amiable in his eyes ( v. 15 ): Behold, thou art fair, my love; and again, Behold, thou art fair. He says this, not to make her proud (humility is one principal ingredient in spiritual beauty), but, 1. To show that there is a real beauty in holiness, that all who are sanctified are thereby beautified; they are truly fair. 2. That he takes great delight in that good work which his grace has wrought on the souls of believers; so that though they have their infirmities, whatever they think of themselves, and the world thinks of them, he thinks them fair. He calls them friends. The hidden man of the heart, in that which is not corruptible, is in the sight of God of great price, 1 Pet. iii. 4 . 3. To comfort weak believers, who are discouraged by their own blackness; let them be told again and again that they are fair. 4. To engage all who are sanctified to be very thankful for that grace which has made them fair, who by nature were deformed, and changed the Ethiopian's skin. One instance of the beauty of the spouse is here mentioned, that she has doves' eyes, as ch. iv. 1 . Those are fair, in Christ's account, who have, not the piercing eye of the eagle, but the pure and chaste eye of the dove, not like the hawk, who, when he soars upwards, still has his eye upon the prey on earth, but a humble modest eye, such an eye as discovers a simplicity and godly sincerity and a dove-like innocency, eyes enlightened and guided by the Holy Spirit, that blessed Dove, weeping eyes. I did mourn as a dove, Ezek. vii. 16 . III. The church expresses her value for Christ, and returns esteem ( v. 16 ): Behold, thou art fair. See how Christ and believers praise one another. Israel saith of God, Who is like thee? Exod. xv. 11 . And God saith of Israel, Who is like thee? Deut. xxxiii. 29 . Lord, saith the church, "Dost thou call me fair? No; if we speak of strength, thou art strong ( Job ix. 19 ), so, if of beauty, thou art fair. I am fair no otherwise than as I have thy image stamped upon me. Thou art the great Original; I am but a faint and imperfect copy, I am but thy umbra — the shadow of thee, John i. 16 ; iii. 34 . Thou art fair in thyself and (which is more) pleasant to all that are thine. Many are fair enough to look at, and yet the sourness of their temper renders them unpleasant; but thou art fair, yea, pleasant. " Christ is pleasant, as he is ours, in covenant with us, in relation to us. "Thou art pleasant now, when the King sits at his table. " Christ is always precious to believers, but in a special manner pleasant when they are admitted into communion with him, when they hear his voice, and see his face, and taste his love. It is good to be here. Having expressed her esteem of her husband's person, she next, like a loving spouse, that is transported with joy for having disposed of herself so well, applauds the accommodations he had for her entertainment, his bed, his house, his rafters or galleries ( v. 16 ), which may be fitly applied to those holy ordinances in which believers have fellowship with Jesus Christ, receive the tokens of his love and return their pious and devout affections to him, increase their acquaintance with him and improve their advantages by him. Now, 1. These she calls ours, Christ and believers having a joint-interest in them. As husband and wife are heirs together ( 1 Pet. iii. 7 ), so believers are joint-heirs with Christ, Rom. viii. 17 . They are his institutions and their privileges; in them Christ and believers meet. She does not call them mine, for a believer will own nothing as his but what Christ shall have an interest in, nor thine, for Christ has said, All that I have is thine, Luke xv. 31 . All is ours if we are Christ's. Those that can by faith lay claim to Christ may lay claim to all that is his. 2. These are the best of the kind. Does the colour of the bed, and the furniture belonging to it, help to set it off? Our bed is green, a colour which, in a pastoral, is preferred before any other, because it is the colour of the fields and groves where the shepherd's business and delight are. It is a refreshing colour, good for the eyes; and it denotes fruitfulness. I am like a green olive-tree, Ps. lii. 8 . We are married to Christ, that we should bring forth unto God, Rom. vii. 4 . The beams of our house are cedar ( v. 17 ), which probably refers to the temple Solomon had lately built for communion between God and Israel, which was of cedar, a strong sort of wood, sweet, durable, and which will never rot, typifying the firmness and continuance of the church, the gospel-temple. The galleries for walking are of fir, or cypress, some sort of wood that was pleasing both to the sight and to the smell, intimating the delight which the saints take in walking with Christ and conversing with him. Every thing in the covenant of grace (on which foot all their treaties are carried on) is very firm, very fine, and very fragrant.
John WesleyJohn Wesley's Explanatory Notes · 1754
Myrrh - Myrrh, was ever reckoned among the best perfumes. Shall lie - This phrase may denote the churches intimate union with, and hearty affection to Christ.
John WesleyJohn Wesley's Explanatory Notes · 1754
Camphire - We are not concerned to know exactly what this was; it being confessed, that it was some grateful plant, and that it sets forth that great delight which the church hath in the enjoyment of Christ. Engedi - A pleasant and well - watered place in the tribe of Judah, where there were many pleasant plants.
John WesleyJohn Wesley's Explanatory Notes · 1754
Behold - This is the speech of Christ. The words are doubled to manifest his fervent affection for her. Doves eyes - Which are mild and harmless, chaste and faithful. And by the eyes he seems to design both her outward behaviour, and the inward disposition of her mind.
John WesleyJohn Wesley's Explanatory Notes · 1754
Behold - The church here again speaks, and retorts Christ's words; thou, and thou only art fair indeed. Pleasant - As thou art beautiful in thyself, so thou art amiable and pleasant in thy condescention to me. Bed - This seems to denote the place where the church enjoys sweet fellowship with Christ, by his spirit accompanying his ordinances. Green - Is pleasant, as that colour to the eye.
John WesleyJohn Wesley's Explanatory Notes · 1754
Cedar - Not only strong, but also fragrant and delightful. Cypress - Which also was strong and fragrant, and therefore suits well with cedar.