Song of Solomon 4:15

Thou hast doves' eyes within thy locks - Perhaps this refers rather to a sort of veil worn by many of the Eastern women, but especially in Egypt. It is a species of black cloth made of the hair of some animal, probably the black goat; is suspended from the head by silken cords, one of which comes from the crown of the head, down the forehead, to the upper part of the nose, just under the eyes, at which place the veil begins; for the forehead and the eyes are uncovered, except the cord above mentioned, which is ornamented with gold, silver, and precious stones, according to the circumstances of the wearer. This partial veil not only covers all the face, the eyes and forehead excepted, but the neck also, and hangs loosely down over the bosom. One of them, lately brought from Egypt, now lies before me. But the clause, within thy locks, מבעד למתך mibbaad letsammathech, is not well translated, either by ourselves or by the versions. Jerome's translation is an indication of the meaning: Absque eo quod intrinsecus latet; without that, or independently of that, which lies hidden within. The Septuagint, Syriac, and Arabic have, besides thy silence. Calmet contends that none of these gives the true meaning, and that the word tmu tsemath has not the meaning of hair or locks wherever it occurs, and has quite a different meaning in Isa 47:2. St. Jerome on this place expresses himself thus: Nolentibus gui interpretati sunt transferre nomen quod in Sancta Scriptura sonat turpitudinem - Ergo Ktmu tsammathech, quod Aquila posuit, verenda mulieris appellanatur cujus etymologia apud eos sonat sitiens tuus. Calmet translates: Vous etes toute belle, won amie; vous etes toute belle: vos yeux sont des yeux de colombe; sans ce que la pudeur et la modestie tiennent cache. I leave the translation of these to the learned reader. See another description under Sol 4:7 (note). As a flock of goats - Because it was black and sleek, as the hair of the goats of Arabia and Palestine is known to be; which, with its fine undulation, is supposed to bear some resemblance to the curls or plaits of a woman's tresses. The mountains of Gilead were beyond Jordan, on the frontiers of Arabia Deserta. Verse 2 Thy teeth are like a flock - This comparison appears to be founded on the evenness, neatness, and whiteness of the newly shorn and newly washed sheep. Verse 3 Thy lips are like a thread of scarlet - Both lips and cheeks were ruddy; sicut fragmen mali punici - Vulgate. Like the section of a pomegranate, that side cut off on which is the finest blush. This is a good and apt metaphor. But the inside may be referred to, as it is finely streaked with red and white melting into each other. She had beautiful hair, beautiful eyes, beautiful cheeks and lips, and a most pleasing and dulcet voice. Within thy locks - See on Sol 4:1 (note), and Sol 4:7 (note). Verse 4 Thy neck is like the tower of David - It is certain that bucklers were frequently hung about towers, both for their ornaments, and to have them at hand when their use was required; see Eze 27:10. But the allusion here may be to those pillars which are often seen in armouries on which weapons of various kinds are hung, formed into a great variety of shapes and very splendid. Whoever has seen the armoury in the tower of London, or such like places, has most probably seen something very similar to that of which the poet speaks. Verse 5 Thy two breasts are like two young roes - I have met with many attempts to support this similitude, or rather to show that there is a similitude; but I judge them unworthy of citation. The poet speaks the language of nature; and in a case of this kind, where the impassioned lover attempts to describe the different perfections of his bride, language often fails him, and his comparisons and similitudes are often without strict correctness. In love songs we have heard ladies' necks compared to that of the swan, not only for its whiteness, but also for its length! The description here shows more of nature than of art, which I consider a high recommendation. Feed among the lilies - It may be the nipples especially, which the poet compares to the two young roes; and the lilies may refer to the whiteness of the breasts themselves. Verse 6 Until the day break - Until the morning breeze. See Sol 2:17. The shadows flee away - Till the sun sets. Mountain of myrrh - Probably the same as the mountains of Bether, Sol 2:17. Mountains where the trees grew from which myrrh and incense were extracted. Verse 7 Thou art all fair - there is no spot in thee - "My beloved, every part of thee is beautiful; thou hast not a single defect." The description given of the beauties of Daphne, by Ovid, Metam. lib. 1: ver. 497, has some similarity to the above verses: - Spectat inornatos collo pend ere capillos. Et, quid si comantur? ait. Videt igne micantes Sideribus similes oculos; videt oscula, quae non Est vidisse satis. Laudat digitosque, manusque, Brachiaque, et nudos media plus parte lacertos. Si qua latent meliora putat. Her well-turn'd neck he view'd, (her neck was bare), And on her shoulders her disheveled hair. O, were it comb'd, said he, with what a grace Would every waving curl become her face! He view'd her eyes, like heavenly lamps that shone, He view'd her lips, too sweet to view alone; Her taper fingers, and her panting breast. He praises all he sees; and, for the rest, Believes the beauties yet unseen the best. Dryden. Jayadeva describes the beauty of Radha in nearly the same imagery: "Thy lips, O thou most beautiful among women, are a bandhujiva flower; the lustre of the madhuca beams upon thy cheek; thine eye outshines the blue lotos; thy nose is a bud of the tila; the cunda blossom yields to thy teeth. Surely thou descendedst from heaven, O slender damsel! attended by a company of youthful goddesses; and all their beauties are collected in thee." See these poems, and the short notes at the end. The same poet has a parallel thought to that in Sol 4:5, "Thy two breasts," etc. The companions of Radha thus address her: "Ask those two round hillocks which receive pure dew drops from the garland playing on thy neck, and the buds on whose tops start aloft with the thought of thy beloved." Verse 8 My spouse - The כלה callah which we translate spouse, seems to have a peculiar meaning. Mr. Harmer thinks the Jewish princess is intended by it; and this seems to receive confirmation from the bridegroom calling her sister, Sol 4:9, that is, one of the same stock and country; and thus different from the Egyptian bride. Mr. Harmer's opinion is very probable, that Two Queens are mentioned in this song: one Pharaoh's daughter, the other a Jewess. See his outlines. But I contend for no system relative to this song. Look from the top of Amana, etc. - Solomon, says Calmet, by an admirable poetic fiction, represents his beloved as a mountain nymph, wholly occupied in hunting the lion and the leopard on the mountains of Lebanon, Amana, Shenir, and Hermon. As a bold and undisciplined virgin, who is unwilling to leave her wild and rural retreats, he invites her to come from those hills; and promises to deck her with a crown and to make her his bride. Thus the poets represent their goddess Diana, and even Venus herself: - Per juga, per sylvas, dumosaque saxa vagatur Nuda genu, vestem ritu succincta Dianae; Hortaturque canes; tutaeque animalia praedae, Aut pronos lepores, aut celsum in cornua cervum, Aut agitat damas: at fortibus abstinet apris. MET. lib. x., ver. 535. Now buskin'd like the virgin huntress goes Through woods, and pathless wilds, and mountain snows. With her own tuneful voice she joys to cheer The panting hounds that chase the flying deer. She runs the labyrinth of the fearful hares, But fearless beasts and dangerous prey forbears. Mount Libanus separates Phoenicia from Syria. Amanus is between Syria and Silicia. Shenir and Hermon are beyond Jordan, to the south of Damascus and Mount Libanus, and northward of the mountains of Gilead. Hermon and Shenir are but different parts of the same chain of mountains which separates Trachonitis, or the country of Manasses, from Arabia Deserta. For these places, see 2Kgs 5:12, and Deu 3:9, where they are probably meant. Verse 9 Thou hast ravished my heart - לבבתני libbabtini, "Thou hast hearted me," i.e., taken away my heart; as we say, "He has barked the tree," i.e., he has stripped it of its bark; "He has fleeced the flock," i.e., deprived them of their wool. With one of thine eyes - באצד מעיניך beachad meeynayich. This has been thought a harsh expression, and various emendations have been sought. The Masoretes have put באצת beachath, "at once," in the margin; and this is confirmed by twenty of Kennicott's MSS. but De Rossi does not notice it. It is scarceiy necessary; the sense to me is clear and good without it. "Even one of thine eyes, or one glance of thine eyes, has been sufficient to deprive me of all power; it has completely overcome me;" for glance may be understood, and such forms of speech are common in all languages, when speaking on such subjects. If even taken literally, the sense is good; for the poet may refer to a side glance, shot in passing by or turning away, where only one eye could be seen. I think this a better sense than that which is obtained from the Masoretic emendation. With one chain of thy neck - Probably referring to the play of the cervical muscles, rather than to necklaces, or ringlets of hair. Verse 10 How much better is thy love - דדיך dodayich; Hebrew. mastoi sou; Septuagint. Ubera tua; Vulgate. "Thy breasts." And so all the versions, except the Chaldee. Smell of thine ointments - Perfumes. Verse 11 Thy lips - drop as the honey-comb - Thy words are as delicious to my heart as the first droppings of the honey-comb are to the palate. Honey and milk are under thy tongue - Eloquence and persuasive speech were compared among the ancients to honey and milk. Thus Homer, Iliad, lib. i., ver. 247: - Τοισι δε Νεστωρ Ηδυεπης ανορουσε, λιγυς Πυλιων αγορητης. Του και απο γλωσσης μελιτος γλυκιων ῥεεν αυδη. Experienced Nestor, in persuasion skill'd, Words sweet as honey from his lips distill'd. But the figure is common to all writers and languages. A similar expression will be seen in the Gitagovinda. Verse 12 A garden enclosed - a spring shut up, a fountain sealed - Different expressions to point out the fidelity of the bride, or of the Jewish queen. See the outlines. She is unsullied, a chaste, pure virgin. None has ever entered into this garden; none has yet tasted of this spring; the seal of this fountain has never been broken. Among the Athenians, the interior part of the house, called the women's apartment, was not only locked but sealed; so Aristophan., Thesmoph. ver. 422: - Ειτα δια τουτον ταις γυναικωνιτισιν Σφραγιδας εμβαλλουσιν ηδη και μοχλους. And on this account, to the women's apartment They place seals as well as bolts. And seal, as applicable to chaste conduct, is a phrase well known to the Greeks. Aeschylus, in the Agamemnon, praises a woman, σημαντη ριον ουδεν διαφψειρασαν, who had not violated her seal of conjugal faith. But Nonnus, lib. ii., uses the form of speech exactly as Solomon does with reference to a pure virgin; he says, Αψαυστον ἑης σφρηγιδα κορειης; "She had preserved the seal of her virginity untouched." All this is plain; but how many will make metaphors out of metaphors! Verse 13 Thy plants are an orchard of pomegranates - This seems to refer to the fecundity of the bride or Jewish queen; to the former it would be a prediction; to the latter, a statement of what had already taken place. The word פרדס pardes, which we translate an orchard, is the same which has given birth to our paradise, a garden of pleasure. The other expressions, in this and the following verse, seem to refer wholly to matters of a connubial nature. Verse 16 A fountain of gardens - Perhaps גנים gannim, "gardens," was originally ציים chaiyim, "lives," a living fountain, a continual spring. See Houbigant. But this is expressed afterwards; though there would be nothing improper in saying, "a living fountain, a well of living waters, and streams from Mount Lebanon." A fountain of gardens may mean one so abundant as to be sufficient to supply nany gardens, to water many plots of ground, an exuberant fountain. This is the allusion; the reference is plain enough. Awake, O north wind; and come, thou south - It is granted that the south wind in Palestine, in the summer, is extremely hot and troublesome; therefore, another interpretation of this passage has been proposed by Mr. Harmer; who thinks בואי boi, which we render come, signifies enter into thy repositories; and, therefore, supposes the true interpretation of the words to be as follows: "Arise, thou north wind, (and retire, thou south), blow upon my garden; let the spices thereof flow forth, that my beloved may come into his garden, invited by the coolness and fragrancy of the air, and may eat his pleasant fruits; for, if the south wind blow, the excessive heat will forbid his taking the air, and oblige him to shut close the doors and windows of his apartments." Others think that he wishes the winds from all directions to carry throughout the land the fume of his spices, virtue, and perfections. Let my beloved come into his garden - This is the invitation of the bride: and if we look not for far-fetched meanings, the sense is sufficiently evident. But commentators on this song sometimes take a literal sense where the metaphor is evident; at other times they build an allegory upon a metaphor. The Gitagovinda has an elegant passage similar to this. See the place, Part VII, beginning with Enter, sweet Radha. The whole of this chapter is considered to be unconnected with any particular time of the marriage ceremonies. Introduction The bridegroom calls on his spouse to admit him, Sol 5:1-3. She hesitates; but arising finds him gone, seeks him, and is treated unworthily by the city watch, Sol 5:4-7. Inquires of the daughters of Jerusalem, who question her concerning her beloved, Sol 5:8

Living water - Though my spouse be in some sort a fountain shut up, yet that is not so to be understood as if she kept her waters to herself, for she is like a fountain of living or running water, which flows into gardens, and makes its flowers and plants to flourish. The church conveys those waters of life which she receives from Christ to particular believers. Streams - Like those sweet and refreshing rivers which flow down from mount Lebanon, of which Jordan is one.

The Love of the Church to Christ. 15 A fountain of gardens, a well of living waters, and streams from Lebanon. 16 Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits. These seem to be the words of the spouse, the church, in answer to the commendations which Christ, the bridegroom, had given of her as a pleasant fruitful garden. Is she a garden? I. She owns her dependence upon Christ himself to make this garden fruitful. To him she has an eye ( v. 15 ) as the fountain of gardens, not only the founder of them, by whom they are planted and to whom they owe their being, but the fountain of them, by which they are watered and to which they own their continuance and well-being, and without whose constant supplies they would soon become like the dry and barren wilderness. To him she gives all the glory of her fruitfulness, as being nothing with out him: O fountain of gardens! fountain of all good, of all grace, do not thou fail me. Does a believer say to the church, All my springs are in thee, in thee, O Zion? ( Ps. lxxxvii. 7 ), the church transmits the praise to Christ, and says to him, All my springs are in thee; thou art the well of living waters ( Jer. ii. 13 ), out of which flow the streams of Lebanon, the river Jordan, which had its rise at the foot of Mount Lebanon, and the waters of the sanctuary, which issued out from under the threshold of the house, Ezek. xlvii. 1 . Those that are gardens to Christ must acknowledge him a fountain to them, from whose fulness they receive and to whom it is owing that their souls are as a watered garden, Jer. xxxi. 12 . The city of God on earth is made glad with the river that flows from this fountain ( Ps. xlvi. 4 ), and the new Jerusalem has its pure river of water of life proceeding out of the throne of God and of the Lamb, Rev. xxii. 1 . II. She implores the influences of the blessed Spirit to make this garden fragrant ( v. 16 ): Awake, O north wind! and come, thou south. This is a prayer, 1. For the church in general, that there may be a plentiful effusion of the Spirit upon it, in order to its flourishing estate. Ministers' gifts are the spices; when the Spirit is poured out these flow forth, and then the wilderness becomes a fruitful field, Isa. xxxii. 15 . This prayer was answered in the pouring out of the Spirit on the day of pentecost ( Acts ii. 1 ), ushered in by a mighty wind; then the apostles, who were bound up before, flowed forth, and were a sweet savour to God, 2 Cor. ii. 15 . 2. For particular believers. Note, (1.) Sanctified souls are as gardens, gardens of the Lord, enclosed for him. (2.) Graces in the soul are as spices in these gardens, that in them which is valuable and useful. (3.) It is very desirable that the spices of grace should flow forth both in pious and devout affections and in holy gracious actions, that with them we may honour God, adorn our profession, and do that which will be grateful to good men. (4.) The blessed Spirit, in his operations upon the soul, is as the north and the south wind, which blows where it listeth, and from several points, John iii. 8 . There is the north wind of convictions, and the south wind of comforts; but all, like the wind, brought out of God's treasuries and fulfilling his word. (5.) The flowing forth of the spices of grace depends upon the gales of the Spirit; he stirs up good affections, and works in us both to will and to do that which is good; it is he that makes manifest the savour of his knowledge by us. (6.) We ought therefore to wait upon the Spirit of grace for his quickening influences, to pray for them, and to lay our souls under them. God has promised to give us his Spirit, but he will for this be enquired of. III. She invites Christ to the best entertainment the garden affords: " Let my beloved then come into his garden and eat his pleasant fruits; let him have the honour of all the products of the garden (it is fit he should), and let me have the comfort of his acceptance of them, for that is the best account they can be made to turn to." Observe, 1. She calls it his garden; for those that are espoused to Christ call nothing their own, but what they have devoted to him and desire to be used for him. When the spices flow forth then it is fit to be called his garden, and not till then. The fruits of the garden are his pleasant fruits, for he planted them, watered them, and gave the increase. What can we pretend to merit at Christ's hands when we can invite him to nothing but what is his own already? 2. She begs he would visit it, and accept of what it produced. The believer can take little pleasure in his garden, unless Christ, the beloved of his soul, come to him, nor have any joy of the fruits of it, unless they redound some way or other to the glory of Christ, and he will think all he has well bestowed upon him.