Song of Solomon 4:3

Thou hast doves' eyes within thy locks - Perhaps this refers rather to a sort of veil worn by many of the Eastern women, but especially in Egypt. It is a species of black cloth made of the hair of some animal, probably the black goat; is suspended from the head by silken cords, one of which comes from the crown of the head, down the forehead, to the upper part of the nose, just under the eyes, at which place the veil begins; for the forehead and the eyes are uncovered, except the cord above mentioned, which is ornamented with gold, silver, and precious stones, according to the circumstances of the wearer. This partial veil not only covers all the face, the eyes and forehead excepted, but the neck also, and hangs loosely down over the bosom. One of them, lately brought from Egypt, now lies before me. But the clause, within thy locks, מבעד למתך mibbaad letsammathech, is not well translated, either by ourselves or by the versions. Jerome's translation is an indication of the meaning: Absque eo quod intrinsecus latet; without that, or independently of that, which lies hidden within. The Septuagint, Syriac, and Arabic have, besides thy silence. Calmet contends that none of these gives the true meaning, and that the word tmu tsemath has not the meaning of hair or locks wherever it occurs, and has quite a different meaning in Isa 47:2 . St. Jerome on this place expresses himself thus: Nolentibus gui interpretati sunt transferre nomen quod in Sancta Scriptura sonat turpitudinem - Ergo Ktmu tsammathech, quod Aquila posuit, verenda mulieris appellanatur cujus etymologia apud eos sonat sitiens tuus. Calmet translates: Vous etes toute belle, won amie; vous etes toute belle: vos yeux sont des yeux de colombe; sans ce que la pudeur et la modestie tiennent cache. I leave the translation of these to the learned reader. See another description under Sol 4:7 (note). As a flock of goats - Because it was black and sleek, as the hair of the goats of Arabia and Palestine is known to be; which, with its fine undulation, is supposed to bear some resemblance to the curls or plaits of a woman's tresses. The mountains of Gilead were beyond Jordan, on the frontiers of Arabia Deserta. Verse 2 Thy teeth are like a flock - This comparison appears to be founded on the evenness, neatness, and whiteness of the newly shorn and newly washed sheep. Verse 3 Thy lips are like a thread of scarlet - Both lips and cheeks were ruddy; sicut fragmen mali punici - Vulgate. Like the section of a pomegranate, that side cut off on which is the finest blush. This is a good and apt metaphor. But the inside may be referred to, as it is finely streaked with red and white melting into each other. She had beautiful hair, beautiful eyes, beautiful cheeks and lips, and a most pleasing and dulcet voice. Within thy locks - See on Sol 4:1 (note), and Sol 4:7 (note). Verse 4 Thy neck is like the tower of David - It is certain that bucklers were frequently hung about towers, both for their ornaments, and to have them at hand when their use was required; see Eze 27:10 . But the allusion here may be to those pillars which are often seen in armouries on which weapons of various kinds are hung, formed into a great variety of shapes and very splendid. Whoever has seen the armoury in the tower of London, or such like places, has most probably seen something very similar to that of which the poet speaks. Verse 5 Thy two breasts are like two young roes - I have met with many attempts to support this similitude, or rather to show that there is a similitude; but I judge them unworthy of citation. The poet speaks the language of nature; and in a case of this kind, where the impassioned lover attempts to describe the different perfections of his bride, language often fails him, and his comparisons and similitudes are often without strict correctness. In love songs we have heard ladies' necks compared to that of the swan, not only for its whiteness, but also for its length! The description here shows more of nature than of art, which I consider a high recommendation. Feed among the lilies - It may be the nipples especially, which the poet compares to the two young roes; and the lilies may refer to the whiteness of the breasts themselves. Verse 6 Until the day break - Until the morning breeze. See Sol 2:17 . The shadows flee away - Till the sun sets. Mountain of myrrh - Probably the same as the mountains of Bether, Sol 2:17 . Mountains where the trees grew from which myrrh and incense were extracted. Verse 7 Thou art all fair - there is no spot in thee - "My beloved, every part of thee is beautiful; thou hast not a single defect." The description given of the beauties of Daphne, by Ovid, Metam. lib. 1: ver. 497, has some similarity to the above verses: - Spectat inornatos collo pend ere capillos. Et, quid si comantur? ait. Videt igne micantes Sideribus similes oculos; videt oscula, quae non Est vidisse satis. Laudat digitosque, manusque, Brachiaque, et nudos media plus parte lacertos. Si qua latent meliora putat. Her well-turn'd neck he view'd, (her neck was bare), And on her shoulders her disheveled hair. O, were it comb'd, said he, with what a grace Would every waving curl become her face! He view'd her eyes, like heavenly lamps that shone, He view'd her lips, too sweet to view alone; Her taper fingers, and her panting breast. He praises all he sees; and, for the rest, Believes the beauties yet unseen the best. Dryden. Jayadeva describes the beauty of Radha in nearly the same imagery: "Thy lips, O thou most beautiful among women, are a bandhujiva flower; the lustre of the madhuca beams upon thy cheek; thine eye outshines the blue lotos; thy nose is a bud of the tila; the cunda blossom yields to thy teeth. Surely thou descendedst from heaven, O slender damsel! attended by a company of youthful goddesses; and all their beauties are collected in thee." See these poems, and the short notes at the end. The same poet has a parallel thought to that in Sol 4:5 , "Thy two breasts," etc. The companions of Radha thus address her: "Ask those two round hillocks which receive pure dew drops from the garland playing on thy neck, and the buds on whose tops start aloft with the thought of thy beloved." Verse 8 My spouse - The כלה callah which we translate spouse, seems to have a peculiar meaning. Mr. Harmer thinks the Jewish princess is intended by it; and this seems to receive confirmation from the bridegroom calling her sister, Sol 4:9 , that is, one of the same stock and country; and thus different from the Egyptian bride. Mr. Harmer's opinion is very probable, that Two Queens are mentioned in this song: one Pharaoh's daughter, the other a Jewess. See his outlines. But I contend for no system relative to this song. Look from the top of Amana, etc. - Solomon, says Calmet, by an admirable poetic fiction, represents his beloved as a mountain nymph, wholly occupied in hunting the lion and the leopard on the mountains of Lebanon, Amana, Shenir, and Hermon. As a bold and undisciplined virgin, who is unwilling to leave her wild and rural retreats, he invites her to come from those hills; and promises to deck her with a crown and to make her his bride. Thus the poets represent their goddess Diana, and even Venus herself: - Per juga, per sylvas, dumosaque saxa vagatur Nuda genu, vestem ritu succincta Dianae; Hortaturque canes; tutaeque animalia praedae, Aut pronos lepores, aut celsum in cornua cervum, Aut agitat damas: at fortibus abstinet apris. MET. lib. x., ver. 535. Now buskin'd like the virgin huntress goes Through woods, and pathless wilds, and mountain snows. With her own tuneful voice she joys to cheer The panting hounds that chase the flying deer. She runs the labyrinth of the fearful hares, But fearless beasts and dangerous prey forbears. Mount Libanus separates Phoenicia from Syria. Amanus is between Syria and Silicia. Shenir and Hermon are beyond Jordan, to the south of Damascus and Mount Libanus, and northward of the mountains of Gilead. Hermon and Shenir are but different parts of the same chain of mountains which separates Trachonitis, or the country of Manasses, from Arabia Deserta. For these places, see 2Kgs 5:12 , and Deu 3:9 , where they are probably meant. Verse 9 Thou hast ravished my heart - לבבתני libbabtini, "Thou hast hearted me," i.e., taken away my heart; as we say, "He has barked the tree," i.e., he has stripped it of its bark; "He has fleeced the flock," i.e., deprived them of their wool. With one of thine eyes - באצד מעיניך beachad meeynayich. This has been thought a harsh expression, and various emendations have been sought. The Masoretes have put באצת beachath, "at once," in the margin; and this is confirmed by twenty of Kennicott's MSS. but De Rossi does not notice it. It is scarceiy necessary; the sense to me is clear and good without it. "Even one of thine eyes, or one glance of thine eyes, has been sufficient to deprive me of all power; it has completely overcome me;" for glance may be understood, and such forms of speech are common in all languages, when speaking on such subjects. If even taken literally, the sense is good; for the poet may refer to a side glance, shot in passing by or turning away, where only one eye could be seen. I think this a better sense than that which is obtained from the Masoretic emendation. With one chain of thy neck - Probably referring to the play of the cervical muscles, rather than to necklaces, or ringlets of hair. Verse 10 How much better is thy love - דדיך dodayich; Hebrew. mastoi sou; Septuagint. Ubera tua; Vulgate. "Thy breasts." And so all the versions, except the Chaldee. Smell of thine ointments - Perfumes. Verse 11 Thy lips - drop as the honey-comb - Thy words are as delicious to my heart as the first droppings of the honey-comb are to the palate. Honey and milk are under thy tongue - Eloquence and persuasive speech were compared among the ancients to honey and milk. Thus Homer, Iliad, lib. i., ver. 247: - Τοισι δε Νεστωρ Ηδυεπης ανορουσε, λιγυς Πυλιων αγορητης. Του και απο γλωσσης μελιτος γλυκιων ῥεεν αυδη. Experienced Nestor, in persuasion skill'd, Words sweet as honey from his lips distill'd. But the figure is common to all writers and languages. A similar expression will be seen in the Gitagovinda. Verse 12 A garden enclosed - a spring shut up, a fountain sealed - Different expressions to point out the fidelity of the bride, or of the Jewish queen. See the outlines. She is unsullied, a chaste, pure virgin. None has ever entered into this garden; none has yet tasted of this spring; the seal of this fountain has never been broken. Among the Athenians, the interior part of the house, called the women's apartment, was not only locked but sealed; so Aristophan., Thesmoph. ver. 422: - Ειτα δια τουτον ταις γυναικωνιτισιν Σφραγιδας εμβαλλουσιν ηδη και μοχλους. And on this account, to the women's apartment They place seals as well as bolts. And seal, as applicable to chaste conduct, is a phrase well known to the Greeks. Aeschylus, in the Agamemnon, praises a woman, σημαντη ριον ουδεν διαφψειρασαν, who had not violated her seal of conjugal faith. But Nonnus, lib. ii., uses the form of speech exactly as Solomon does with reference to a pure virgin; he says, Αψαυστον ἑης σφρηγιδα κορειης; "She had preserved the seal of her virginity untouched." All this is plain; but how many will make metaphors out of metaphors! Verse 13 Thy plants are an orchard of pomegranates - This seems to refer to the fecundity of the bride or Jewish queen; to the former it would be a prediction; to the latter, a statement of what had already taken place. The word פרדס pardes, which we translate an orchard, is the same which has given birth to our paradise, a garden of pleasure. The other expressions, in this and the following verse, seem to refer wholly to matters of a connubial nature. Verse 16 A fountain of gardens - Perhaps גנים gannim, "gardens," was originally ציים chaiyim, "lives," a living fountain, a continual spring. See Houbigant. But this is expressed afterwards; though there would be nothing improper in saying, "a living fountain, a well of living waters, and streams from Mount Lebanon." A fountain of gardens may mean one so abundant as to be sufficient to supply nany gardens, to water many plots of ground, an exuberant fountain. This is the allusion; the reference is plain enough. Awake, O north wind; and come, thou south - It is granted that the south wind in Palestine, in the summer, is extremely hot and troublesome; therefore, another interpretation of this passage has been proposed by Mr. Harmer; who thinks בואי boi, which we render come, signifies enter into thy repositories; and, therefore, supposes the true interpretation of the words to be as follows: "Arise, thou north wind, (and retire, thou south), blow upon my garden; let the spices thereof flow forth, that my beloved may come into his garden, invited by the coolness and fragrancy of the air, and may eat his pleasant fruits; for, if the south wind blow, the excessive heat will forbid his taking the air, and oblige him to shut close the doors and windows of his apartments." Others think that he wishes the winds from all directions to carry throughout the land the fume of his spices, virtue, and perfections. Let my beloved come into his garden - This is the invitation of the bride: and if we look not for far-fetched meanings, the sense is sufficiently evident. But commentators on this song sometimes take a literal sense where the metaphor is evident; at other times they build an allegory upon a metaphor. The Gitagovinda has an elegant passage similar to this. See the place, Part VII, beginning with Enter, sweet Radha. The whole of this chapter is considered to be unconnected with any particular time of the marriage ceremonies. Introduction The bridegroom calls on his spouse to admit him, Sol 5:1-3 . She hesitates; but arising finds him gone, seeks him, and is treated unworthily by the city watch, Sol 5:4-7 . Inquires of the daughters of Jerusalem, who question her concerning her beloved, Sol 5:8

The Beauty of the Church. 1 Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes within thy locks: thy hair is as a flock of goats, that appear from mount Gilead. 2 Thy teeth are like a flock of sheep that are even shorn, which came up from the washing; whereof every one bear twins, and none is barren among them. 3 Thy lips are like a thread of scarlet, and thy speech is comely: thy temples are like a piece of a pomegranate within thy locks. 4 Thy neck is like the tower of David builded for an armoury, whereon there hang a thousand bucklers, all shields of mighty men. 5 Thy two breasts are like two young roes that are twins, which feed among the lilies. 6 Until the day break, and the shadows flee away, I will get me to the mountain of myrrh, and to the hill of frankincense. 7 Thou art all fair, my love; there is no spot in thee. Here is, I. A large and particular account of the beauties of the church, and of gracious souls on whom the image of God is renewed, consisting in the beauty of holiness. In general, he that is a competent judge of beauty, whose judgment, we are sure, is according to truth, and what all must subscribe to, he has said, Behold, thou art fair. She had commended him, and called all about her to take notice of his glories; and hereby she recommends herself to him, gains his favour, and, in return for her respects, he calls to all about him to take notice of her graces. Those that honour Christ he will honour, 1 Sam. ii. 30 . 1. He does not flatter her, nor design hereby either to make her proud of herself or to court her praises of him; but, (1.) It is to encourage her under her present dejections. Whatever others thought of her, she was amiable in his eyes. (2.) It is to teach her what to value herself upon, not any external advantages (which would add nothing to her, and the want of which would deprive her of nothing that was really excellent), but upon the comeliness of grace which he had put upon her. (3.) It is to invite others to think well of her too, and to join themselves to her: "Thou art my love, thou lovest me and art beloved of me, and therefore thou art fair. " All the beauty of the saints is derived from him, and they shine by reflecting his light; it is the beauty of the Lord our God that is upon us, Ps. xc. 17 . She was espoused to him, and that made her beautiful. Uxor fulget radiis mariti — The spouse shines in her husband's rays. It it repeated, Thou art fair, and again, Thou art fair, denoting not only the certainty of it, but the pleasure he took in speaking of it. 2. As to the representation here made of the beauty of the church, the images are certainly very bright, the shades are strong, and the comparisons bold, not proper indeed to represent any external beauty, for they were not designed to do so, but the beauty of holiness, the new man, the hidden man of the heart, in that which is not corruptible. Seven particulars are specified, a number of perfection, for the church is enriched with manifold graces by the seven spirits that are before the throne, Rev. i. 4; 1 Cor. i. 5, 7 . (1.) Her eyes. A good eye contributes much to a beauty: Thou hast doves' eyes, clear and chaste, and often cast up towards heaven. It is not the eagle's eye, that can face the sun, but the dove's eye, a humble, modest, mournful eye, that is the praise of those whom Christ loves. Ministers are the church's eyes ( Isa. lii. 8 , thy watchmen shall see eye to eye ); they must be like doves' eyes, harmless and inoffensive ( Matt. x. 16 ), having their conversation in the world in simplicity and godly sincerity. Wisdom and knowledge are the eyes of the new man; they must be clear, but not haughty, not exercised in things too high for us. When our aims and intentions are sincere and honest, then we have doves' eyes, when we look not unto idols ( Ezek. xviii. 6 ), but have our eyes ever towards the Lord, Ps. xxv. 15 . The doves' eyes are within the locks, which area as a shade upon them, so that, [1.] They cannot fully see. As long as we are here in this world we know but in part, for a hair hangs in our eyes; we cannot order our speech by reason of darkness; death will shortly cut those locks, and then we shall see all things clearly. [2.] They cannot be fully seen, but as the stars through the thin clouds. Some make it to intimate the bashfulness of her looks; she suffers not her eyes to wander, but limits them with her locks. (2.) Her hair; it is compared to a flock of goats, which looked white, and were, on the top of the mountains, like a fine head of hair; and the sight was more pleasant to the spectator because the goats have not only gravity from their beards, but they are comely in going ( Prov. xxx. 29 ), but it was most pleasant of all to the owner, much of whose riches consisted in his flocks. Christ puts a value upon that in the church, and in believers, which others make no more account of than of their hair. He told his disciples that the very hairs of their head were all numbered, as carefully as men number their flocks ( Matt. x. 30 ), and that not a hair of their head should perish, Luke xxi. 18 . Some by the hair here understand the outward conversation of a believer, which ought to be comely, and decent, and agreeable to the holiness of the heart. The apostle opposes good works, such as become the professors of godliness, to the plaiting of the hair, 1 Tim. ii. 9, 10 . Mary Magdalen's hair was beautiful when she wiped the feet of Christ with it. (3.) Her teeth, v. 2 . Ministers are the church's teeth; like nurses, they chew the meat for the babes of Christ. The Chaldee paraphrase applies it to the priests and Levites, who fed upon the sacrifices as the representatives of the people. Faith, by which we feed upon Christ, meditation, by which we ruminate on the word and chew the cud upon what we have heard, in order to the digesting of it, are the teeth of the new man. These are here compared to a flock of sheep. Christ called his disciples and ministers a little flock. It is the praise of teeth to be even, to be white, and kept clean, like sheep from the washing, and to be firm and well fixed in the gums, and not like sheep that cast their young; for so the word signifies which we translate barren. It is the praise of ministers to be even in mutual love and concord, to be pure and clean from all moral pollutions, and to be fruitful, bringing forth souls to Christ, and nursing his lambs. (4.) Her lips; these are compared to a thread of scarlet, v. 3 . Red lips are comely, and a sign of health, as the paleness of the lips is a sign of faintness and weakness; her lips were the colour of scarlet, but thin lips, like a thread of scarlet. The next words explain it: Thy speech is comely, always with grace, good, and to the use of edifying, which adds much to the beauty of a Christian. When we praise God with our lips, and with the mouth make confession of him to salvation, then they are as a thread of scarlet. All our good works and good words must be washed in the blood of Christ, dyed like the scarlet thread, and then, and not till then, they are acceptable to God. The Chaldee applies it to the chief priest, and his prayers for Israel on the day of atonement. (5.) Her temples, or cheeks, which are here compared to a piece of a pomegranate, a fruit which, when cut in two, has rich veins or specks in it, like a blush in the face. Humility and modesty, blushing to lift up our faces before God, blushing at the remembrance of sin and in a sense of our unworthiness of the honour put upon us, will beautify us very much in the eyes of Christ. The blushes of Christ's bride are within her locks, which intimates (says Mr. Durham) that she blushes when no other sees, and for that which none sees but God and conscience; also that she seeks not to proclaim her humility, but modestly covers that too; yet the evidences of all these, in a tender walk, appear and are comely. (6.) Her neck; this is here compared to the tower of David, v. 4 . This is generally applied to the grace of faith, by which we are united to Christ, as the body is united to the head by the neck; this is like the tower of David, furnishing us with weapons of war, especially bucklers and shields, as the soldiers were supplied with them out of that tower, for faith is our shield ( Eph. vi. 16 ): those that have it never want a buckler, for God will compass them with his favour as with a shield. When this neck is like a tower, straight, and stately, and strong, a Christian goes on in his way, and works with courage and magnanimity, and does not hang a drooping head, and he does when faith fails. Some make the shields of the mighty men, that are here said to hang up in the tower of David, to be the monuments of the valour of David's worthies. Their shields were preserved, to keep in remembrance them and their heroic acts, intimating that it is a great encouragement to the saints to hold up their heads, to see what great things the saints in all ages have accomplished and won by faith. In Heb. xi. we have the shields of the mighty men hung up, the exploits of believers and the trophies of their victories. (7.) Her breasts; these are like two young roes that are twins, v. 5 . The church's breasts are both for ornament ( Ezek. xvi. 7 ) and for use; they are the breasts of her consolation ( Isa. lxvi. 11 ), as she is said to suck the breasts of kings, Isa. lx. 16 . Some apply these to the two Testaments; others to the two sacraments, the seals of the covenant of grace; others to ministers, who are to be spiritual nurses to the children of God and to give out to them the sincere milk of the word, that they may grow thereby, and, in order to that, are themselves to feed among the lilies where Christ feeds ( ch. ii. 16 ), that they may be to the babes of the church as full breasts. Or the breasts of a believer are his love to Christ, which he is pleased with, as a tender husband is with the affections of his wife, who is therefore said to be to him as the loving hind and the pleasant roe, because her breasts satisfy him at all times, Prov. v. 19 . This includes also his edifying others and communicating grace to them, which adds much to a Christian's beauty. II. The bridegroom's resolution hereupon to retire to the mountain of myrrh ( v. 6 ) and there to make his residence. This mountain of myrrh is supposed to signify Mount Moriah, on which the temple was built, where incense was daily burnt to the honour of God. Christ was so pleased with the beauty of his church that he chose this to be his rest for ever; here he will dwell till the day break and the shadows flee away. Christ's parting promise to his disciples, as the representatives of the church, answer to this: Lo, I am with you always, even to the end of the world. Where the ordinances of God are duly administered there Christ will be, and there we must meet him at the door of the tabernacle of meeting. Some make these to be the words of the spouse, either modestly ashamed of the praises given her, and willing to get out of the hearing of them, or desirous to be constant to the holy hill, not doubting but there to find suitable and sufficient succour and relief in all her straits, and there to cast anchor, and wish for the day, which, at the time appointed, would break and the shadows flee away. The holy hill (as some observe) is here called both a mountain of myrrh, which is bitter, and a hill of frankincense, which is sweet, for there we have occasion both to mourn and rejoice; repentance is a bitter sweet. But in heaven it will be all frankincense, and no myrrh. Prayer is compared to incense, and Christ will meet his praying people and will bless them. III. His repeated commendation of the beauty of the spouse ( v. 7 ): Thou art all fair, my love. He had said ( v. 1 ), Thou art fair; but here he goes further, and, in review of the particulars, as of those of the creation, he pronounces all very good: " Thou art all fair, my love; thou art all over beautiful, and there is nothing amiss in thee, and thou hast all beauties in thee; thou art sanctified wholly in every part; all things have become new ( 2 Cor. v. 17 ); there is not only a new face and a new name, but a new man, a new nature; there is no spot in thee, as far as thou art renewed." The spiritual sacrifices must be without blemish. There is no spot but such as is often the spot of God's children, none of the leopard's spots. The church, when Christ shall present it to himself a glorious church, will be altogether without spot or wrinkle, Eph. v. 27 .

Thy speech - Which is added as another ingredient of an amiable person; and to explain the foregoing metaphor. The discourse of believers is edifying and comfortable, and acceptable to God, and to serious men. Temples - Under which he comprehends the cheeks. Pomegranate - In which there is a lovely mixture of red and white.